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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English342
1
Years I spent in vanity and pride,
Caring not my Lord was crucified,
Knowing not it was for me He died
On Calvary.
 
Mercy there was great, and grace was free;
Pardon there was multiplied to me;
There my burdened soul found liberty,
At Calvary.
2
By God’s Word at last my sin I learned;
Then I trembled at the law I’d spurned,
Till my guilty soul imploring turned
To Calvary.
3
Now I’ve giv’n to Jesus everything,
Now I gladly own Him as my King,
Now my raptured soul can only sing
Of Calvary.
4
Oh, the love that drew salvation’s plan!
Oh, the grace that brought it down to man!
Oh, the mighty gulf that God did span
At Calvary!

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Jim Smith

Mansfield, Ohio, United States

Oct 27, 2025

This brother had a very deep experience and revelation concerning the cross at Calvary. I could not find any other hymns written by William Newell. I still like to research the biography of these obscure authors. Little is known of this man, it seems he was an Ohio native. It is interesting to see how many of these scholars were influenced by The Moody Bible Institute.

Biography:

William was the son of Da­vid Ay­ers New­ell and Eli­za­beth Reed, and hus­band of Mel­li­cent Woo­dworth.

He gra­du­at­ed from Woos­ter Col­lege, Ohio, in 1891, then at­tend­ed Prince­ton and Ob­er­lin Se­mi­nar­ies.

After or­di­na­tion, he be­came pas­tor of Be­thes­da Con­gre­ga­tion­al Church in Chi­ca­go, Il­li­nois. In 1895, he be­came as­sist­ant su­per­in­tend­ent of the Moo­dy Bi­ble In­sti­tute in Chi­ca­go.

Newell was known for his Bib­li­cal com­ment­ar­ies on Ro­mans, He­brews, and the Book of Re­ve­la­tion.

He moved to Lees­burg, Flo­ri­da, in 1910, and for some time was pas­tor of the Pres­by­ter­ian church there.

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Lucinda Wagoner

Seymour, Indiana, United States

Oct 25, 2025

I have had this song in my head since we sang it at church last week. I keep coming back to three words, grace was free.

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Laurie Johnson

Purcellville, Virginia, United States

Sep 19, 2025

I woke up this morning with these lyrics in my head. I was thinking about the words ‘there my burdened soul found liberty’ and how many people I pray would find that truth. What beautiful words are here.

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Kola Adewumi

Boston, Massachusetts, United States

May 10, 2025

I Praise God for you and for making this song available --- to everyone.

I pray that God will continue to use you to feel the earth with the Knowledge of His Glory as waters cover the Sea.

Love you God bless you.
Our Lord reigns.
Jesus is Lord.

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Jim

Indpls, IN, United States

May 1, 2025

Just writing in my journal this morning and wrote something about his mercy and grace. Immediately I flashed back to “mercy there was great and Grace was free pardon there was multiplied to me…” the words of the first stanza and much of the other stanzas came rushing back to me after decades (I am in my 60s now) of not singing it. I see the value in all forms of Christian music and have been touched by all genres, but this flashback to my childhood with the exact memory of the lyrics was incredible. I also realized how easy it is to sing, even hymns, without thinking about what the actual words mean, but just focusing on singing the parts (if you are musically inclined), or possibly just the melody line if you’re not. It wasn’t until my 20s That at one moment, I fullyrealized the importance of the lyrics! It happened when I looked back at another old hymn called “Am I a soldier of the cross? “

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Robert J. Benson

Bellflower, CA, United States

May 1, 2025

All I know is when God is, God does! A childhood hymn that has made the difference today.

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Ebenezer Gaspar

Lebak, Sultan Kudarat, Philippines

Apr 18, 2025

My childhood song in CAMACOP. We always singing hymnal songs up until now. I’m 27.

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Nze Jubali

Kampala, Uganda

Apr 13, 2025

I discovered this in 2025, just one week before Easter day. Thank God I can now sing all the words while I play the piano correctly

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Lori Shells Simmons

Youngstown, OH, United States

Apr 3, 2025

What a wonderful, timeless hymn!! Thank You Jesus!! You died for ME!!

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Lilibeth Micoy

General Santos City, Philippines

Mar 16, 2025

Thank you JESUS for saving me from the bondage of sin

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