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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Complete in Thee! no work of mine

Assurance and Joy of Salvation Secured by Divine Provisions

English328
1
Complete in Thee! no work of mine
May take, dear Lord, the place of Thine;
Thy blood hath pardon bought for me,
And I am now complete in Thee.
 
Yea, justified! O blessed thought!
And sanctified! Salvation wrought!
Thy blood hath pardon bought for me,
And glorified, I too, shall be!
2
Complete in Thee—no more shall sin,
Thy grace hath conquered, reign within;
Thy voice shall bid the tempter flee,
And I shall stand complete in Thee.
3
Complete in Thee—each want supplied,
And no good thing to me denied;
Since Thou my portion, Lord, wilt be,
I ask no more, complete in Thee.
4
Dear Savior! when before Thy bar
All tribes and tongues assembled are,
Among Thy chosen will I be,
At Thy right hand—complete in Thee.

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Ana Lara

Storrs, Connecticut, United States

Apr 1, 2026

Aaron Roberts Wolfe was a 19c Presbyterian educator and hymn writer, born in Mendham, New Jersey, on September 6, 1821. he was the son of Peter Wolfe and Mary Robarts. He received his formal education at Williams College, graduating in 1844, before pursuing theological studies at Union Theological Seminary in New York City, which he completed in 1851. On April 9 of that same year, he was formally licensed by the Third Presbyterian of New York making the beginning of a career that would blend pastoral ministry with a dedication to education.

Wolfe’s professional life was largely defined by his commitment to the education of young women. He initially took charge of a school in Tallahassee, Florida, before returning to the Northeast to establish The Hillside Seminary for Young Ladies in Montclair, New Jersey, in 1859. Despite his focus on academia, his literary contributions to the church were significant. In 1858 he contributed several original hymns to Thomas Hastings’s collection, Church Melodies, under the humble signature of “A. R. W. ”

Among his most enduring works, is the hymn “Complete in Thee, no work of mine, “ which focuses on the sufficiency of Christ’s righteousness, and was originally published in the New York Evangelist around 1850. His other notable contributions include : “A hymn of joy we sing at Thy table Lord, ” “ Thou Maker of our mortal frame, ” “ I bless the Lord for sorrows sent” and “A parting hymn we sing. ”

Wolfe’s writing was characterized by a focus on the inner spiritual life, exploring themes such as: glorifying the cross, comfort in trials, and salvation.

Robinson Charles Seymour writes about Aaron R. Wolfe in his Annotations upon Popular Hymns. N. Y. Hunt and Eaton, 1893:

The devout spirit of the man is fittingly illustrated by the account he once gave his friends of an incident which shaped his after- career somewhat seriously.

When he left Florida in the summer of 1855, he put all his effects — library, notes, and things of that sort— on board a sailing vessel at Saint Mark’s and with a simple grip-sack returned North by way of Nashville and Chicago.

Reaching New York, after some two weeks spent in journeying, he sought his goods at the commission house to which they had been consigned.

There he learned that, on the day appointed for sailing, the vessel had been struck by lightning, the mate killed at the foot of the mast, and the vessel, laden with turpentine burnt to the water’s edge. Books, papers, notes, everything of past treasure had gone up in smoke.

He looked upon this as a special providence of God, shaping his life, and fixing his home, for it made him a teacher of the young rather than a pastor of a church; and soon the way was open for the beginning of one of the most useful engagements with Dr. Abbott, and so his life was fashioned … Thus the Lord made up his petty losses by a rich reward.

Wolfe retired in 1872 but continued to be active until his death in October 6, 1902 in Montclair, New Jersey. He is buried at Rosedale Cemetery, West Orange, New Jersey.

(hymntime. com; hymnallibrary. org)

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Brian Harkess

Musselburgh, East Lothian, United Kingdom

Nov 9, 2024

Lovely hymn brimming over with gospel truths. Jesus name above all names. He is our living head. Wise men follow and put into practice what he teaches us. Hallelujah what a Saviour.

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Fawn Streit

Dillsboro, Indiana, United States

May 31, 2024

This is an amazing hymn! I absolutely love it! Every year at my church camp we would sing this! It is truly one of my favorite Songs to sing! Thank you so much! ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️

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Karen

Stockton, CA, United States

Jan 29, 2024

What does it mean that we have been made full in Him?

This hymn reminded me of these verses in Colossians which are renewing and enlivening me to realize what a rich inheritance we have in Christ. May we believers take heed to Paul’s warning and by faith in God’s Word enjoy the rich inheritance we have in Christ!

"Beware that no one carries you off as spoil through his philosophy and empty deceit, according to the tradition of men, according to the elements of the world, and not according to Christ; For in Him dwells all the fullness of the Godhead bodily, And you have been made full in Him, who is the Head of all rule and authority. In Him also you were circumcised with a circumcision not made with hands, in the putting off of the body of the flesh, in the circumcision of Christ, Buried together with Him in baptism, in which also you were raised together with Him through the faith of the operation of God, who raised Him from the dead. And you, though dead in your offenses and in the uncircumcision of your flesh, He made alive together with Him, having forgiven us all our offenses; Wiping out the handwriting in ordinances, which was against us, which was contrary to us; and He has taken it out of the way, nailing it to the cross. Stripping off the rulers and the authorities, He made a display of them openly, triumphing over them in it." (Colossians 2:8-15) Recovery Version

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Marieth Palama

Chicago, IL, United States

Nov 2, 2023

Just found this sweet through the hymns radio!
So sweet ❤️
Yea, justified! O blessed thought!
And sanctified! Salvation wrought!
Thy blood hath pardon bought for me,
And glorified, I too, shall be!

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Anonymous

Aug 13, 2023

This was a favourite hymn of a dear brother who passed away this day last year. His life was a true testimony of love and faithfulness; he lived and died unto the Lord. What he wanted most was to not only be an overcomer but that all the saints in our locality would overcome together. “Dear Saviour! When before Thy bar, all tribes and tongues assembled are, Among Thy chosen will I be, At Thy right hand- complete in Thee”

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Samuel

Oct 29, 2022

I was reading the book of Philemon and we read in this epistle about a brother called Onesimus. He was a bad slave before and caused damage to the well respected Philemon in Colossus, his master. But by God's arrangement he met Paul during his imprisonment in Rome and received the Lord there. After this happening, Paul sent him back with Tychicus to Colossus (Colossians 4:9) telling Philemon to receive Onesimus in his behalf - “Receive him as you would me”—reckon to him my merit; “If he has wronged you or owes anything, put that on my account”—reckon to me his demerit. This is imputation. Just as Abraham was accounted righteous by believing, Onesimus was being accounted as a merited person. This is quite our story with God as well. The Lord Jesus justified us by His atoning and blessed sacrifice and we are in a new position now before God. This is so blessed. I wish I can have more grace and faith to experience this. No longer a slave of sin, but a righteous and new man before God, through the Lord Jesus. - Complete in Thee.

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Joanna Smathers

Baton Rouge, LA, United States

Jan 8, 2021

From the training on Job this winter: as long as I am somebody He can’t be everything. This song reminds me in His body we are complete. The Body is just Christ.

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Stephen Bellingham

Irvine, CA, United States

Nov 30, 2018

"Among Thy chosen will I be,

At Thy right hand—complete in Thee."

- What a wonderful, encouraging truth of the gospel of Jesus Christ!

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Anonymous

Kansas, Missouri, United States

Aug 7, 2018

I love this ❤️❤️

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