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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English308
1
Blessed assurance, Jesus is mine;
Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God,
Born of His Spirit, washed in His blood.
 
This is my story, this is my song,
Praising my Savior all the day long.
This is my story, this is my song,
Praising my Savior all the day long.
2
Perfect submission, perfect delight,
Visions of rapture now burst on my sight;
Angels descending, bring from above
Echoes of mercy, whispers of love.
3
Perfect submission, all is at rest,
I in my Savior am happy and blest;
Watching and waiting, looking above,
Filled with His goodness, lost in His love.

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Addo Michael

Accra, Koans Estate, Ghana

Mar 8, 2026

This an amazing hymn 🙏🏻💪🏾

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El Aina Danine

Kapaa, Hawaii, United States

Mar 5, 2026

This is myself story, Alleluia Amen

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Howard Williams. Sr

Trenton, New Jersey, United States

Feb 10, 2026

Yes Jesus is mine

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Mila

Honolulu, Hawaii, United States

Feb 3, 2026

Love this website and I think that blessed assurance is a nice calming song and I think you should add more songs like it

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Joan

Kampala, Kira, Uganda

Jan 19, 2026

I am so broken and as I was praying the Holy Spirit gave this hymn. It calmed down and indeed gave me blessed assurance in Jesus.

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Rev. Perpetual E Idaeho

London, United Kingdom

Jan 5, 2026

One of my top hymn, blessed assurance Jesus is mine. Oh what a fortaste of glory Devine. Praising my saviour all day long.

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Zoe Williams

Toronto, Ontario, Canada

Dec 18, 2025

My story is praising my saviour 🙏🏼🙏🏼

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Godwin

FCT, Abuja, Nigeria

Dec 6, 2025

We Lost a Brother last week a true soldier of God and devout member of the Catholic Church, during one of our prayer sessions at his house this song was sang and it was soul uplifting. May the soul of Bro. Richard Christopher and the souls of all the faithful departed through the mercy of God rest in peace 🙏

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Un Hermano

Oct 9, 2025

If we come to the Bible in the spirit expressed in this hymn, we shall be nourished and refreshed. However, many times we do not come to the Word in this way. We neither pray nor aspire to contact the Lord. Instead, we just read the words of the Bible with our eyes and try to understand them with our mind. We have no heart or spirit to contact the Lord. In such a case, the more we read the Word, the more exhausted we become. We need to exercise our spirit in reading the Word, and we need to aspire to contact the Lord. Psalm 119 is filled with such an aspiration. This was the reason that to the psalmist the law was God’s living word. His way to contact the Word of God and God Himself was to exercise his whole being as an expression of his intimate sentiment and deep aspiration. As he read the Word, he cried out to God, earnestly seeking Him.

As we read the Word of God, we should not only pray, but also sing to the Lord. This is to read the Word by psalming. (In ancient times the Psalms were sung and not merely read or spoken. ) Praying requires more exercise of the spirit than speaking, and singing requires even more exercise than praying. By singing we can truly get into our spirit. We need more singing both in the meetings and in our daily life.

The chorus of the well-known hymn “Blessed Assurance” says:

This is my story, this is my song,
Praising my Savior all the day long.
This is my story, this is my song,
Praising my Savior all the day long.

Many Christians have sung this hymn, but not many praise their Savior all the day long. What do you think would happen if we praised the Lord all day long? No doubt, we would be utterly immersed in the Lord.

Life-study of Exodus
Message 58 The function of God's
Law as His Living Word
to His loving seekers (LSM)

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Un Hermano

Oct 9, 2025

... As Christians, we need to be like the little babes and care only for Christ.

We all need to say happily, triumphantly, and rejoicingly, “Jesus is mine! ” We all know the familiar hymn that says, “Blessed assurance, Jesus is mine; / Oh, what a foretaste of glory divine! ” The chorus of this hymn says, “This is my story, this is my song, / Praising my Savior all the day long” ( Hymns, #308). We are not praising the Lord all the day long for a good house, for an expensive car, or for a heavenly mansion with golden streets and pearly gates. We are praising the Lord all the day long for the fact that Jesus is ours. We are those who call upon the name of our Lord Jesus Christ in every place, who is theirs and ours. To fully understand 1 Corinthians 1:2 , we need John 1:1 , 14 , and 17 ; John 3:16 and 34 ; and John 15:26 . Also, 1 Corinthians 1:9 tells us that we have been called into the fellowship of His Son, Jesus Christ our Lord. The Greek word for fellowship means “joint participation, common participation. ” God has called us into the participation in His Son. We could even say that God has called us into the enjoyment of His Son.

God's New Testament Economy
Chapter 17 (LSM)
CWWL, 1984, vol. 3

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