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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English308
1
Blessed assurance, Jesus is mine;
Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God,
Born of His Spirit, washed in His blood.
 
This is my story, this is my song,
Praising my Savior all the day long.
This is my story, this is my song,
Praising my Savior all the day long.
2
Perfect submission, perfect delight,
Visions of rapture now burst on my sight;
Angels descending, bring from above
Echoes of mercy, whispers of love.
3
Perfect submission, all is at rest,
I in my Savior am happy and blest;
Watching and waiting, looking above,
Filled with His goodness, lost in His love.

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Ebby Khamisi

Nairobi, Kenya

Mar 15, 2024

This song is ageless. It was translated in Swahili

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Nimusiima Christian

Kampala, Uganda

Mar 14, 2024

I love to sing this song coz Jesus is my Saviour

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Anonymous

Feb 25, 2024

I love to sing this hymn every week!

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Mensah Francis

Accra, Ghana

Feb 18, 2024

I really love this song

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Steven W.

Col. Hgts., VA., United States

Feb 13, 2024

"Lost in His Love!" Jesus said,

John 13:34-35 (NIV)

34 “A new command I give you: Love one another. As I have loved you, so you must love one another.

35 By this everyone will know that you are my disciples, if you love one another. ”

This is a command! He wasn't asking.

Now ask yourself, how does Jesus love us?

Jesus loves us unconditionally, sacrificially, openly, vulnerably, and when it isn’t convenient. He meets us right where we are and loves us just as we are.

To be lost in His love, for me, means, to be totally absorbed in loving each other the same way He loves us!

He's calling us to love one another. Jesus loves His disciples, (us), in such a radical, self-sacrificial manner that He is now calling us to emulate His glorious love in all of our relationships with one another.

Imagine what a wonderful world this would be, IF...?

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Gerardo Comas

Florissant, MO, United States

Feb 12, 2024

Thank you 2024
Maria M Thornbrough of
Seminole, FL, United States

Now that explains it. As a deaf person, I might possibly translate “Lost in His love” into ASL (American Sign Language). The translation may be like what you explained. Something like “Focus eyes (on) Jesus’s love”. The “on” will not be used when signing because the whole sentence of “Focus eyes Jesus’s love” IS the full ASL translation for “Lost in His love”. Hope I’m clear on my explanation. Again, thank you for explaining.

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Maria M Thornbrough

Seminole, FL, United States

Feb 6, 2024

To answer Gerrado Conas.."lost in his love" means surrounded so much by his love that there is nothing else that can distract you... a kind of "keep your eyes upon Jesus " moment, when all else fades away. 💞

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Gerardo Conas

Florissant, MO, United States

Feb 5, 2024

Love this song 🎵‼️❣️ But can someone explain “Filled with His goodness, lost in His love. ” What’s the meaning of “lost in His love”?

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Wizzychloe

Accra, East Legon, Ghana

Feb 4, 2024

This is the best hymns ever I use to wait, submit and count on the Lord.

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Ana Lara

Storrs, Connecticut, United States

Feb 2, 2024

Frances Jane Crosby was born March 24, 1820, Brewster, Putnam County, New York and died February 12, 1915, Bridgeport, Connecticut. She was buried in Mountain Grove Cemetery, Bridgeport, Connecticut. On her tombstone are the words, “Aunt Fanny“ and “Blessed assurance, Jesus is mine. Oh what a foretaste of glory divine. ” “Blessed Assurance, ” one of her best known songs, appeared in at least 937 hymnals.

One of the the most prolific hymnodists in history, Fanny was the wife of organist Alexander Van Alstyne. He was known as one of the finest organists in New York. Like Fanny, he too was blind and taught at the New York Institute for the blind.

Though blinded by an incompetent doctor at six weeks of age, she wrote over 8000 hymns. About her blindness, Fanny said:

“It seemed intended by the blessed providence of God that I should be blind all my life, and I thank Him for the dispensation. If perfect earthly sight were offered me tomorrow I would not accept it. I might not have sung hymns to the praise of God if I had been distracted by the beautiful and interesting things about me. ”

In her lifetime, Fanny Crosby was one of the best known women in the United States. To this day the vast majority of American hymnals contain her work. On her 85th birthday. American president Grover Cleveland wrote to Fanny:

“My dear friend:

It is more than fifty years ago that our acquaintance and friendship and began; and ever since that time I have watched your continuous and interested labor in uplifting humanity, and pointing out the way to an appreciation of God’s goodness and mercy.

Though your labors have, I know, brought you abundant rewards in your consciousness of good accomplished, those who have known of your works and sympathize with your noble purposes owe it to themselves that you are apprized of their remembrance of these things. I am, therefore, exceedingly gratified to learn that your eighty-fifth birthday is to be celebrated with the demonstration of this remembrance. As one proud to call you an old friend, I desire to be early and congratulating you on your long life of usefulness, and wishing you in the years yet to be added to you, the peace and comfort born of the love of God.

Yours very sincerely,
Grover Cleveland”
Some of her publications include:
• The Bind Girl and Other
Poems, 1844
• Monterey and Other Poems, 1851
• A Wreath of Colombia’s Flowers 1858
• Bells at Evening and Other Verses, 1897

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