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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Joys are flowing like a river

Fullness of the Spirit As the Comforter

English246
1
Joys are flowing like a river,
Since the Comforter has come;
He abides with us forever,
Makes the trusting heart His home.
 
Blessed quietness, holy quietness—
What assurance in my soul!
On the stormy sea He speaks peace to me.
How the billows cease to roll!
2
Bringing life and health and gladness
All around, this heavenly Guest
Banished unbelief and sadness,
Changed our weariness to rest.
3
Like the rain that falls from heaven,
Like the sunlight from the sky,
So the Holy Ghost is given,
Coming to us from on high.
4
See a fruitful field is growing
Blessed fruits of righteousness,
And the streams of life are flowing
In the lonely wilderness.
5
What a wonderful salvation
Where we always see His face!
What a perfect habitation!
What a quiet resting place!

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Elvis Ekam

Ikeja, Nigeria

Mar 27, 2014

Since I was a little boy, this song has always been my driving force that stimulate my spiritual life. It is the source of my joy; this song has dramatically change my life and personal relationship with God.

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Sister

Feb 12, 2014

"What a wonderful salvation
Where we always see His face!
What a perfect habitation!
What a quiet resting place!"

Lord may I always see Your face! Keep me in the index of Your eyes! The only real rest is when we are in Him, basking in His love...regardless if our life is going well or in shambles outwardly, He is our rest! Thank You Lord Jesus!!!

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Karen

Carshalton, Surrey, United Kingdom

Feb 12, 2014

Week of destruction and frustrated by situation. At a prayer meeting, a lady sing this song...suddenly my heart feel the calmest and peace. The blessed quietness as the song in my heart no language can describe & tell.

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Salome

Windhoek, Africa, Namibia

Nov 6, 2013

I like this song since I was in grade 8. Our school choir use to sing it many times at the morning devotion and it take only a few days to know it. It's always a joy to listen and sing it.

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Haron

Nairobi, Kenya

Jul 24, 2013

Just in the morning I have arrived at my work station. Being July it's cold with a breeze of wind then I had a song in my soul which I learned when I was in high school and the calmness that I used to enjoy. I couldn't avoid but to read through the message and sing through the soft and calm hymn. How sweet to enjoy such blessed quietness........

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Harriet Christian

Mobile, Alabama

Jul 12, 2013

I learned this song when I joined church at nine years old. When I am the only person still singing the 3rd verse, my daughters ask me "How do you remember those verses? I told them that I guess they are planted in my soul!!

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Steve Miller

Detroit, MI, United States

May 21, 2013

Manie Payne, born in Carlow, Ireland, was a Christian, but she did not know peace. She struggled with her sinful nature until she began to experience the fullness of the Holy Spirit. This is the "blessed quietness" that she wrote about. Once that occurred, she was so happy she could hardly contain herself. Indeed, joy was flowing like a river in her life.

Later she married T. P. Ferguson and founded Peniel Missions, with branches in Egypt, China, and the west coast of the United States. - Great Songs of Faith by Brown & Norton

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Anselme Hategekimana

Victoria, BC, Canada

Jun 23, 2012

Serving God in quietness is wonderful, yes what a quiet place to be in HIM! AMEN. May He grant us the priviledge of serving Him in this dying world.

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Maria

Feb 7, 2012

I thought it was very beautiful I am on this piece in my 8th grade grammer and I thought it was magnificent!

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Michael

Honolulu, Hawaii, United States

Oct 30, 2011

Studying the book of Acts currently and couldn't resist the conclusion of this hymn writer about how blessed it is, how sweet and peaceful to have the rushing move of the Spirit in someone's life even in the midst of the story seas. That phrase most especially is what I think many Christians do not understand. I pray that I would.

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