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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Oh, spread the tidings ’round, wherever man is found

Fullness of the Spirit As the Comforter

English245
1
Oh, spread the tidings ’round, wherever man is found,
Wherever human hearts and human woes abound;
Let every Christian tongue proclaim the joyful sound:
The Comforter has come!
 
The Comforter has come,
The Comforter has come!
The Holy Ghost from heav’n,
The Lord’s dear promise giv’n;
Oh, spread the tidings ’round,
Wherever man is found—
The Comforter has come!
2
The long, long night is past, the morning breaks at last;
And hushed the dreadful wail and fury of the blast,
As o’er the golden hills the day advances fast!
The Comforter has come!
3
Lo, the great King of kings, with healing in His wings,
To every captive soul a full deliv’rance brings;
And through the vacant cells the song of triumph rings:
The Comforter has come!
4
O boundless love divine! how shall this tongue of mine
To wond’ring mortals tell the matchless grace divine—
That I, a child of hell, should in His image shine!
The Comforter has come!

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Paul Jokosanya

Lagos, Nigeria

May 15, 2020

I bless God for this, I just had a dream where I saw the man that lead me to Christ, each time I have that dream, it’s a sign of my first love and Restoration of The Joy of salvation! God always have me the dream each time He wants to confirm my Sonship or to ensure I am on the track of back to the track! And also when there is a new chapter, new beginning or new assignment is on its way for my life! He also led me to The Book Of John 14 and immediatley I was reading it this song “ the Comforter has come came to my heart, so I quickly came online to search for the lyrics. This song is blessing my life!

Praise God!

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Jerry

Nnewi, Anambra, Nigeria

May 2, 2020

This song came Alive to me in Ministers Leaders Retreat in Gboko, Benue State under the Ministration of Bro Gbile Akanni, Children of God the Comforter is here. Hallelluyah.......

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Samuel Elijah

Abuja, FCT, Nigeria

Feb 16, 2020

Indeed the comforter has come. His here to comfort every heart, despite the rigours of life, he offers succour to everyone.

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Pastor Joseph Ajayi

Great Nexk, New York, United States

Dec 27, 2019

I knew this song as far back as 30 years ago. I was just studying a book by Bishop David Oyedepo, “Anointing for Exploits”, the Bishop was emphasizing the Holy Spirit as the comforter and this hymn just came to mind. In fact I wrote the first line and chorus on the page I was reading, then I quickly went online to search and sing it and played it. Such an inspiring song to enjoy the sweetness of the Holy Spirit the greatest Comforter!

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Chika Anyachor

Port Harcourt, Rivers State, Nigeria

Dec 15, 2019

Oh what a beautiful song for a weary pilgrim's soul!

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Olufunke L

Lagos, Nigeria

Oct 29, 2019

Awesome hymn that connects us to heaven

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Stephanie

Kaduna, Nigeria

Sep 8, 2019

My soul is lifted this morning as we sang this song. The comforter has truly come and He dwells in us. God bless the composer and the person that sent it here.

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Praise Ekposa

Ijaiye, Lagos, Nigeria

Sep 5, 2019

The song came to mind, and I search for it.

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Adenike

Lagos, Nigeria

Aug 29, 2019

He alone (the Holy Spirit) can comfort... Thank You Lord.

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Kole

Abuja, FCT, Nigeria

Aug 25, 2019

Thank you so much to whoever put this here... such one is a life saver... comforter is here!!

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