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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Oh, spread the tidings ’round, wherever man is found

Fullness of the Spirit As the Comforter

English245
1
Oh, spread the tidings ’round, wherever man is found,
Wherever human hearts and human woes abound;
Let every Christian tongue proclaim the joyful sound:
The Comforter has come!
 
The Comforter has come,
The Comforter has come!
The Holy Ghost from heav’n,
The Lord’s dear promise giv’n;
Oh, spread the tidings ’round,
Wherever man is found—
The Comforter has come!
2
The long, long night is past, the morning breaks at last;
And hushed the dreadful wail and fury of the blast,
As o’er the golden hills the day advances fast!
The Comforter has come!
3
Lo, the great King of kings, with healing in His wings,
To every captive soul a full deliv’rance brings;
And through the vacant cells the song of triumph rings:
The Comforter has come!
4
O boundless love divine! how shall this tongue of mine
To wond’ring mortals tell the matchless grace divine—
That I, a child of hell, should in His image shine!
The Comforter has come!

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Rachael Adetutu

Ibadan, Oyo, Nigeria

Jun 1, 2017

So lovely!

I'be been looking for someone to teach me this lyric until I thought of googling it.

Thank you, God bless you.

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Dorcas T. Adesanya

Catford, London, United Kingdom

May 19, 2017

Thank You Jesus for the promise of the Comforter, Holy Spirit. The Spirit Divine, O boundless love divine, thank You Jesus for our salvation. Praise the Lord, the Comforter has come!!! Thanks for uploading this song and God bless you all. Peace!!!

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Anonymous

Apr 16, 2017

One of the greatest hymns there are.
"O boundless love divine! how shall this tongue of mine
To wond’ring mortals tell the matchless grace divine—
That I, a child of hell, should in His image shine!"

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Anonymous

Mar 19, 2017

always renew my faith COMFORTER ....... A SONG FOR ALL CHRISTIANS.

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Clement Enweruzo

Fajara, Kmc, Gambia

Feb 13, 2017

i first heard this song during one PFN meeting at Tafawa Balewa Square in Lagos, Nigeria about 20 years ago and since then it left a permanent fire in spirit. Let the tidings be spread round wherever man is found that the Comforter has indeed come. He has come to stay and never to depart. Praise God.

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Ntabayi

Minna, Niger, Nigeria

Nov 23, 2016

Some nights are unnecessarily long. Of course, they are nights of sin and of self. In a man's night, the sun sets over him which leads him into moments and days of dee, inner struggles with the will and counsel of Christ whom is Lord.

But when the sun rises over him, "the long long night is past," Then and then only has the comforter come to him. Lord, prevail with my life!

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Femi Badekale

Lagos, Nigeria

Oct 26, 2016

The Holy Spirit is surely the greatest Comforter; a glorious hymn.

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Alice

Abuja, FCT, Nigeria

Sep 18, 2016

Indeed, He is the great Comforter. He is always there to comfort me when I go through difficulty.

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Abiodun Kehinde Adeolu Benedict

Osogbo, Osun States, Nigeria

Sep 14, 2016

This song, I heard of it last year December of year 2015 @ Minister Leaders Retreats, wow this song settled me down on a platform of relevance in ministry, when things look bored and depressed, I took it up, and I always find my comfort in it, hallelujah truly tell the people, that comforters has come

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Adisa

Nairobi, Kenya

Sep 6, 2016

Such a deep song ministering to me in a difficult season. Indeed the Comforter has come!!! Thank You Holy Spirit.

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