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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou wilt soon appear

Hope of Glory The Wedding Day

English1314
1
Lord, Thou wilt soon appear,
Thy day is almost here.
Oh, how we love Thy coming soon!
We have no other
Lord, life, or lover
Than Thou, Lord Jesus, our Bridegroom!
2
The hour is drawing nigh,
Soon we shall hear Thy cry
And with Thee on the clouds descend.
Oh what an hour sweet
When Bride and Bridegroom meet
And love surpassing comprehend.
3
The moments fly apace,
Soon we shall see Thy face!
Amen, Lord Jesus! Quickly come!
We long Thyself to see
And with Thee ever be,
Thou who our inmost heart hath won.
4
’Tis but a moment now;
Thou, our Lord Bridegroom, Thou
Soon wilt return to claim Thy Bride.
O Hallelujah!
’Tis this we long for,
And Thou too wilt be satisfied.

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Glory Jung

Anaheim, CA, United States

Sep 23, 2020

By the Lord’s grace, by His heavenly intercession, by His heavenly ministry, by the power of His resurrection life, by His shepherding, by the bountiful supply of grace, and through the life flowing in the Body of Christ, let us be among those who are preparing the bride to come.

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Medea

Tbilisi, Georgia

Jul 5, 2020

Lord Jesus we are living for Your coming, Lord bring us into the deepest sensation of Your coming every moment Prepare us, we love You, we’re waiting for You, actively love You and echoing to Your love, precious One , our dearest Bridegroom make us Your satisfaction

Read more
Glory

Anaheim, CA, United States

May 16, 2020

The Groom, the Husband, and the bride, the wife, will have a most enjoyable honeymoon, and the wedding day will last for a thousand years.

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Nelson K

Anaheim, CA, United States

Nov 6, 2019

’Tis this we long for,

And Thou too wilt be satisfied.

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M. Wang

New York, NY, United States

May 29, 2017

All the beauty, power, brightness, and ability of the church come from the fact that Christ as life is her inward content;

Excerpt of Banner of the 2017 Memorial day conference.

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Lisa Chiang

Los Angeles, CA, United States

Jul 22, 2015

The hour of the Lord's return is drawing near! Lord, cause us to see that we are at the end times - even this would cause us to love and yearn for the return of our Bridegroom even more!

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George

Lebanon

Aug 13, 2013

The Lord gave me the translation of this song in arabic, praise Him:

ربي تأتي عن قريب
يومك أصبح وشيك
آه! كم نحب مجيئك القريب
ليس لنا حبيب
رب ولا نصيب
سواك يا أحلى عريس

ها الساعة تقترب
صراخك سنسمع
وفي السحب نراك تنزل
يا لوقت فتان
يلتقي العروسان
وحب يفوق الأذهان

الأوقات في زوال
نرى وجهك لا محال
أمين يسوعي بسرعة تعال
نشتاق للقياك
لنكون دوماً معاك
يا من فزت بالأعماق

ها لحظة تفصلنا
فالعريس ربنا
آت لكي يطالب بالعروس
آه هللويا!
ها شهوة قلوبنا
لاقت رغبة الهنا

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Jason M. Insang

Zamboanga City, Philippines

Apr 6, 2013

Oh Lord I love You! I'm longing for Thy coming!

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Rebekah Corley

Atlanta, Georgia, United States

Jul 22, 2012

We have no other Lord, life or lover than Thou Lord our Bridegroom!

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Evan

San Diego, CA, United States

Aug 24, 2009

Oh, what an hour sweet, when Bride and Bridegroom meet! Our human existence is for this most excellent moment. Our whole being should be longing for such a sweet hour. Amen, Lord Jesus! Quickly Come!

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