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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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In Revelation two and three

The Church Her Course

English1274
1
In Revelation two and three,
The seven local churches see:
The lessons there for you and me
Are for the Lord’s recovery.
2
The words to them are words to us,
So that the church be glorious,
And all their warnings we must heed
So that the Lord can meet His need.
3
To Ephesus, the word is clear:
“To your first love you’re not so near;
You’ve left to work so far away;
Repent, return to Him today.”
4
Thus, we must all turn back to Him,
Leave other loves, for these are sin.
Oh, let us hearken to His call—
If we miss this, we’ve missed it all!
5
Then unto Smyrna, suffering, sore—
“You have been tried, but something more—
Be faithful unto death,” we’re told
(Not just of body but of soul).
6
Be faithful ’til what’s natural dies;
Your circumstances don’t despise;
The Lord has sent them all to you
To prove that your first love is true.
7
From Pergamos we clearly see
The world has wed Christianity!
And faithful Antipas did fall—
He dared to stand against it all.
8
To wed the world we all must fear:
His spoken word will save us here—
If to His speaking we give heed,
We’ll separated be indeed.
9
Then Thyatira comes at length:
Her mixture with the world her strength.
Fine flour leavened by the yeast,
A harlot riding on a beast.
10
Lord, we are mixed but hardly know;
To us this mixture fully show.
Each added thing we will refute
Until we’re wholly absolute.
11
And then from Sardis, we can know
Life is the way that we must go!
She says she’s living, but she’s dead;
She needs to touch the Lord instead.
12
Lord, take us all the way to life
To overcome the deadness rife.
Away from deadness we would flee
That full of life we’ll always be.
13
Now Philadelphia comes at last;
That which she has she should hold fast
The brothers’ love, the name, the word;
This church has satisfied the Lord.
14
We as the brothers all are one;
We’re one by life, and life alone.
If we His word and name do keep
A glorious building God will reap.
15
Laodicea warns us all:
From Philadelphia some will fall.
By saying, “I am rich,” it’s then
The Lord is outside wanting in.
16
Lukewarmness we must ever spurn
And in the spirit always burn,
The inward life experience gain,
And pay the price with Him to reign.
17
Lord, shine Your light on us today
That we may fully go Your way;
Anoint our eyes and let us see
So You can have recovery.

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Maria L

Fremont, California, United States

Feb 18, 2026

Praise the Lord! In His mercy, the Lord brought us back to the genuine ground of oneness, the ground of the church, and now we love all the brothers, for the Lord is our Head and our Lord!

Lord, shine Your light on us today
That we may fully go Your way;
Anoint our eyes and let us see
So You can have recovery 🙏.

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Stephen

Grand Rapids, Michigan (MI), United States

Aug 4, 2018

This hymn gives many experiential prayers for us based on the condition of all seven churches. Very sweet way to spend time with the Lord.

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Johnson Folorunso Ajayi

Southport, Merseyside, United Kingdom

Dec 4, 2012

I just read the Letters to the Seven Churches this morning - now this!

Praise God. Christ is in the midst of His church; each church an angel - what does your angel report to the Lord you did last Sunday? Bicker? Gossip? Want the Pastor out? Can't forgive that sister? What does your angel see you do? Are you dead, thinking you are alive? Is it all work and no substance? Are you wedded to the world, because "that's how it is TODAY"?

OR will you stand firm and stand up for Jesus?

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Precious Chantel Sumlin

Milwaukee, WI, U.S.A.

Mar 31, 2003

I like this song. My soul does says yes to God and I wasn't to how that I want to be right and that I want to know about His word and that I love Him and I'm going to stay on the battle field for Him. 15 years old and GOD BLESS YOU!!!!!!!!!!

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