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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The birthright God has giv’n to us

The Church The Overcomers

English1272
1
The birthright God has giv’n to us
Must be our goal, our highest prize,
For we’re the church of the first-born—
Let us our portion realize!
2
A double portion of the land
Was Joseph’s birthright—and ’tis ours
If we our garments keep from sin,
And stay pure in temptation’s hour.
3
The priesthood was to Levi giv’n
As his inheritance—for he
Did count his family ties but loss
And owned God’s things supreme to be.
4
The kingship, Judah did receive
For tending to young Joseph’s need;
Through Benjamin’s adversity,
He was his comforter indeed.
5
The double portion we would seek,
The priesthood and the kingship too;
Make us so desperate, Lord, for Thee
That Thee, our birthright, we’d pursue.
6
We would be those who pay the price,
Deny the soul, reject the self;
Ambitious for the birthright thus
We’d gain Thee, Lord, above all else.
7
The promise, Lord, ’twas giv’n to us,
Oh, let us ne’er this right despise;
Enflame us, Lord, to gain Thyself,
And Thee, our birthright realize.

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Maria Levi

Los Angeles, CA, United States

Feb 19, 2025

We Christians, born of God, are the first fruits of His creatures (James 1:18) that God has reaped in His creation. In that sense we are the firstborn sons of God. Hence, the church, composed of us, is called the church of the firstborn (v. 23). As the firstborn sons of God, we have the birthright. This includes the inheritance of the earth (Heb. 2:5-6), the priesthood (Rev. 20:6), and the kingship (Rev. 20:4), which will be the main blessings in the coming kingdom and which the profane, world-loving-and-seeking Christians will lose at the Lord's coming back. Eventually, this birthright will be a reward given to the overcoming Christians in the millennial kingdom. Any worldly enjoyment, even one meal, could cause us to forfeit this birthright of ours, to miss the full enjoyment of Christ and we could lose the kingdom rest with all its blessings.

Esau was one who lost his birthright (Gen. 25:29-34), because of his lust in eating. This should be a warning to us. If we do not exercise our priesthood today to contact Him and prayerfully minister to Him, how can we fulfill our priestly duty in the kingdom? If we do not exercise our spirit with the God-given authority to rule our self, our flesh, our entire being, and the enemy with all his power of darkness today, how can we be Christ's co-kings and rule the nations with Him in His kingdom (Rev. 2:26-27)? Our enjoyment of Christ and the practice of the priesthood and kingship today in this age are the preparation and qualification for our participating in Christ's kingdom tomorrow in the next age!

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Brian

Louisiana, United States

Dec 2, 2022

Wow, what a wonderful hymn. I love Ana Lara’s comment below. Lord, transform us to be kings & priests to God. May we enjoy our birthright.

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Ana Lara

Storrs, Connecticut, United States

Nov 10, 2021

The first four sons of Jacob: Ruben, Simeon, Levi and Judah were sinners which indicate that the history of God’s people begins with sinners; however, two of the sinners, Levi and Judah were transformed to become priests and kings.

Stanza 3 concerns the priesthood of Levi:
“The priesthood to Levi giv’n
As his inheritance—for he
Did count his family but loss
And owned God’s things supreme to be. ”

In Genesis 49:5-6, Levi and his brother Simeon receive no blessing because they slew the men of Shechem (Genesis 34). Their father Jacob scatters them among the children of Israel (v. 7) so that they would not be able to behave cruelly according to their disposition.

Later, Levi used his disposition in a renewed, transformed way to slay the worshipers of the golden calf (Exodus 30:26-28). Because of his absoluteness, desperation and faithfulness towards God, Levi received the blessing of the priesthood with the Urim and the Thumim.

In Genesis 49:8-12, Jacob blesses Judah with the birthright by prophesying that his brothers would bow down to him alluding to the kingship.

Stanza 4 of this hymn reads:
“The kingship Judah did receive
For tending to young Joseph’s need
Through Benjamin’s adversity. ”

Genesis 38 gives us an account of Judah in his natural self. He lies to his daughter-in-law Tamar and commits fornication when she disguises herself as a prostitute. In the previous chapter when Joseph’s brothers plot to kill him, Ruben and Judah do not agree so Joseph is thrown into a pit. Later Judah suggests Joseph be sold into slavery to Ishmaelites who are traveling through the area thus saving Joseph’s life.

It is not until chapter 44 that we see a broken and subdued Judah. Joseph tested his brothers again and again to see if they had changed after more than 20 years of not seeing them. He then decides to have his silver cup put in Benjamin’s sack and accuse him of stealing it. Judah pleads with Joseph using tender words to describe his father and the love that he has for his son Benjamin, the only son of his mother for his other brother (Joseph) had died. He then offers willingly to take the place of Benjamin as a slave in order to allow his younger brother to return to his father. It is at this juncture that Joseph (chapter 45) reveals his true identity to his brothers. Judah’s words comforted Joseph realizing there had been a change in all of his brothers’ dispositions. Through Judah’s actions, Joseph had been comforted and Benjamin’s adversity was at that point over.

Judah is the type of Christ who became our Substitute in order to please God the Father’s righteous requirement of the law. Judah became a surety for Benjamin by being willing to take his place as a slave in order to guarantee the return of his brother back to his father.

Judah’s actions had a long lasting effect in the history of Israel. When the children of Israel received their allotted portion of the good land, Judah and Benjamin received their portion next to each other indicating they would always be together. The city of Jerusalem is in the territory of Benjamin at the border of Judah. Later, when the kingdom was divided, the ten Northern tribes were captured and lost but Judah and Benjamin which are to the south became the Southern kingdom that was preserved. It seems as if Judah’s action in saving his brother was the reason Benjamin always stayed by his brother’s side and under his protection.

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Joseph

Bengaluru, Karnataka, India

Nov 1, 2020

Amen!! Hallelujah, Praise the Lord
Lord Jesus Christ
Joseph's double portion
Awesome Hymn....

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Jordan

Nashville, United States

Jun 23, 2019

Make us so desperate, Lord, for Thee, That Thee, our birthright, we’d pursue. Oh Lord!

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