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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We have found the Christ who’s all in all

Experience of Christ Enjoying Him

English1153
1
We have found the Christ who’s all in all;
He is everything to us;
O how blest upon His name to call,
How divine, how glorious!
 
It is joy unspeakable and full of glory,
Full of glory, full of glory;
It is joy unspeakable and full of glory,
And the half has never yet been told!
2
We have found that Christ the Spirit is
Who within our spirit dwells;
How available, how near He is,
And His sweetness all excels.
3
We have found the way to live by Christ—
Pray His Word and call His name!
This—the eating, drinking—has sufficed
And its worth we now proclaim.
4
We have found the local church, our home;
We are home and home indeed!
Nevermore in Babylon we roam;
In the church is all we need.
5
We have found that meeting with the saints
Is the greatest joy on earth;
’Tis by this our spirit never faints
And our lives are filled with worth.

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Lito Marucut

Calantas Floridablanca, Pampanga, Philippines

Dec 22, 2018

Amen, the Lord is really full of Glory! It’s the greatest joy on earth to be found Christ who is all in all & everything to us!

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Bola Odutayo

London, United Kingdom

Sep 8, 2018

I woke up this morning with this hymn in me.

Oh how blest it is to have such a wonderful All Inclusive Christ. Who is Everything to us and has Done Everything for us. My hear that truly overflows with Joy Unspeakable. .. I simply want to learn to seek, pursue and lay hold of this Christ who is All in All. I want to learn to Stop my whole being and just experience and enjoy Him all the time. Thank You Lord Jesus. We love You.

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Matthew and Jonathan

Irvine, CA, United States

Jun 13, 2015

In the Church is all we need!

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Tom

Milwaukee, United States

Apr 24, 2015

The original song for this hymn was written by Barney E Warren in 1900, a minister who authored over 7000 hymns. Many of these, including this one, speak of a victorious life lived by Jesus for and within the soul that trusts completely in his moment by moment salvation. The original has a different feel than the one above, as it speaks more of what Jesus does, than of what we do.

I have found His grace is all complete,
He supplieth every need;
While I sit and learn at Jesus’ feet,
I am free, yes, free indeed.

Refrain:
It is joy unspeakable and full of glory,
Full of glory, full of glory;
It is joy unspeakable and full of glory,
Oh, the half has never yet been told.
I have found the pleasure I once craved,
It is joy and peace within;
What a wondrous blessing, I am saved
From the awful gulf of sin.
I have found that hope so bright and clear,
Living in the realm of grace;
Oh, the Savior’s presence is so near,
I can see His smiling face.
I have found the joy no tongue can tell,
How its waves of glory roll;
It is like a great o’erflowing well,
Springing up within my soul.

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Nelson Liu

Irvine, CA, United States

Feb 28, 2015

He is everything to us!

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Art Dewberry

Duarte, CA, United States

Jun 4, 2014

This song makes people happy and enjoy Christ together! PRAISE THE LORD!!!!!!!

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Rixy Perez

Belize, Stann Creek

Mar 11, 2013

Indeed the Lord, is Full of Glory! So marvelous is His will and wonderful is the church life.

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Rosemary Wallis

Wellington, New Zealand

Aug 4, 2012

I woke up with this line in my head: He is joy unspeakable and full of glory...Thank you for supplying not only all the words of the hymn but also the tune.

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Shaira Ylanan

Cebu, Taytayan, Bogo, Philippines

Jun 13, 2012

Oh! How blessed we are, that we found Christ as our all in all. He is everything to us. How divine, how glorious! Amen! Amen!

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