1
Rock of Ages, cleft for me,
Let me hide myself in Thee;
Let the water and the blood,
From Thy riven side which flowed,
Be of sin the double cure,
Save me from its guilt and power.
G
Rock of Ages,
C
cleft for
G
me,
C
Let me
G
hide my
D7
self in
G
Thee;
Let the
Am
water
D
and the
Em
blood,
G
From Thy
Am
riven
D7
side which
G
flowed,
C
Be of
G
sin the
C
double
G
cure,
C
Save me
G
from its
D7
guilt and
C-G
power.
2
Not the labor of my hands
Can fulfill Thy law’s demands;
Could my zeal no respite know,
Could my tears forever flow,
All could never sin erase,
Thou must save, and save by grace.
Not the labor of my hands
Can fulfill Thy law's demands;
Could my zeal no respite know,
Could my tears forever flow,
All could never sin erase,
Thou must save, and save by grace.
G
Not the labor
C
of my
G
hands
C
Can
G
fulfill Thy
D7
law's
G
demands;
Could my
Am
zeal no
D
respite
Em
know,
G
Could my
Am
tears
D7
forever
G
flow,
C
All could
G
never
C
sin
G
erase,
C
Thou must
G
save, and
D7
save by
C-G
grace.
3
Nothing in my hands I bring,
Simply to Thy cross I cling;
Naked, come to Thee for dress,
Helpless, look to Thee for grace:
Foul, I to the fountain fly,
Wash me, Savior, or I die.
Nothing in my hands I bring,
Simply to Thy cross I cling;
Naked, come to Thee for dress,
Helpless, look to Thee for grace:
Foul, I to the fountain fly,
Wash me, Savior, or I die.
G
Nothing in my
C
hands I
G
bring,
C
Simply
G
to Thy
D7
cross I
G
cling;
Naked, come
Am
to Thee
D
for dress,
G
Helpless,
Am
look to
D7
Thee for
G
grace:
C
Foul, I
G
to the
C
fountain
G
fly,
C
Wash me,
G
Savior,
D7
or I
C-G
die.
4
While I draw this fleeting breath,
When mine eyes shall close in death,
When I soar to worlds unknown,
See Thee on Thy judgment throne,
Rock of Ages, cleft for me,
Let me hide myself in Thee.
While I draw this fleeting breath,
When mine eyes shall close in death,
When I soar to worlds unknown,
See Thee on Thy judgment throne,
Rock of Ages, cleft for me,
Let me hide myself in Thee.
G
While I draw this
C
fleeting
G
breath,
C
When mine
G
eyes
D7
shall close
G
in death,
When I
Am
soar to
D
worlds
Em
unknown,
G
See Thee
Am
on Thy
D7
judgment
G
throne,
C
Rock of
G
Ages, cleft
C
for me,
C
Let me
G
hide
D7
myself in
C-G
Thee.
https://www.hymnal.net/Hymns/Hymnal/svg/e1058_p.svg
Delete Comment
Are you sure you want to delete this comment?
Nigeria
Just in my dream trying to figure out some deep means from the lyrics. I woke and googled it. I think Jesus my rock.
This really helped
Lagos, Nigeria
God bless you!
Redhill, Surrey, United Kingdom
A priceless blessing over the centuries! Thank You Jesus that You are The Rock of Ages!
Lagos, Apapa, Nigeria
Am lifted Rock of Ages, thank you Jesus
Leeds, United Kingdom
Thank you
Johannesburg, Gauteng, South Africa
I woke up singing this, thanks, I had to google it, I used to sing it at primary school, I realised I don't know all the lyrics and Googled, immediately when I woke up at 4am. God bless!
Alabama, United States
The Holy Spirit our this time on my heart tonight. Thank you for posting the words, as I haven’t memorized them. The final verse is so highly applicable to our times.
Benin City, Edo, Nigeria
Rock of ages, save me from its guilty and power in Jesus Christ name,
United States
The tune written for Toplady’s hymn, “Rock of Ages, ” was written by a renowned American church musician Thomas Hastings in 1830. Hastings was the first musician of sacred music to dedicate his life to elevate the music of churches all around America. He wrote at one time, “The homage that we owe to the Almighty God calls for the noblest and most reverential tribute that music can render. ”
Thomas Hastings was born on October 15, 1784, in Washington, Connecticut. Though his formal musical training was small, and he suffered eye problems throughout his life because he was an albino, he wrote more than fifty volumes of church music including 1000 hymn tunes and more than 600 original hymn texts as well as editing more than fifty music collections. In 1858 the University of the City of New York awarded him with the degree of Doctor of Music in recognition for his achievements. Along with Lowell Mason, Thomas Hastings is credited with being one of the most influential musicians in shaping the development of church music in the United States.
The hymn “Rock of Ages, ” has been preserved for over 200 years and has been enjoyed by Calvinists and Armenians alike despite its original inspiration born out of controversy.