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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus, my Lord, to Thee I cry

Gospel Crying to the Lord

English1056
1
Jesus, my Lord, to Thee I cry;
Unless Thou save me, I must die:
Oh, bring Thy free salvation nigh,
And take me as I am!
 
And take me as I am!
And take me as I am!
My only plea—Christ died for me!
Oh, take me as I am!
2
Helpless I am, and full of guilt;
But yet for me Thy blood was spilt,
And Thou canst make me what Thou wilt,
And take me as I am.
3
No preparation can I make,
My best resolves I only break,
Yet save me for Thine own Name’s sake,
And take me as I am.
4
Behold me, Savior, at Thy feet,
Deal with me as Thou seest meet;
Thy work begin, Thy work complete,
But take me as I am.

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Izuu Ken

Awka, Anambra, Nigeria

Aug 25, 2017

I have come to the very end of my strength in my Christian life. I have failed again and again, I have made many supposedly firm resolutions, countless times, and broken them all. I am completely tired. This song is the only thing I can find in my heart, as an expression of how I feel before God. If He doesn't help me, then I know I am done for.

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New Ben

Kwale, Delt, Nigeria

Jun 15, 2017

I love this hymn.

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Modu Sunday

Maiduguri, Borno State, Nigeria

May 9, 2017

Today being the 9th/May/2017, I promise to stay awake till 1am meditating the word of God in the book of Matthew 5:1-12 (The Beatitude) the verse that draws my attention to this song was verse 8 which said,

''Blessed are the pure in heart, for they shall see God''

I asked myself, is my heart pure? Then the spirit rebuke me because I know my short comings that I need to amend. With this song, I am highly blessed.

''And take me as I am''.

Once more thank God for FCS POSEC retreat 2015 at Damaturu, that is where I heard the song.

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Clement O. Enweruzo

Fajara, Kmc, Gambia

Feb 14, 2017

This is a perfect song for the contrite and broken spirit; and God will never despise a broken and a contrite heart. Like the Psalmist in Psalm 61:2, anytime my heart is overwhelmed within me, I find great solace in this song. Whenever my spirit is broken, I find the Spirit of God surging through me in this song because I have come to know without any shadow of doubt that unless God helps any soul, death is imminent. This song lifts my soul to God in total surrender.

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Joseph Adamolekun

Lagos, Nigeria

Oct 28, 2016

I have been searching for this song with the Yoruba version for upward of 2 years. I remembered only the refrain and not the beginning. This made the search difficult. I love to humn the refrain whenever I am at my wit's end. While searching for another song in the Christ Apostolic Church Hymn Book, I stumbled on the Yoruba version. What a great JOY that filled my heart yesterday.

The other song's refrain is:

Kini a o ro, kini a o so
Gbati Baba ba pe wa
Pe omo o ma bo wa
Wa jise owo re o.
Who can help out??????

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GOB Ezekiel

Jos, Plateau

Feb 14, 2016

I see exactly myself in the picture this song painted and my hope is that precious and spotless Blood that was shed. That is my only hope and with this hope I got some courage that I can still push a little more further, and I can still get to the promise. With this hope I'm not giving up yet on myself, because he has absolute knowledge of how it feels whenever I fall along the way, I can hear him say get up and move on, I shed my blood for you!

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Rose

Kaduna, Nigeria

Sep 2, 2015

Helpless I am Lord, and full of guilt, But yet for me Thy blood was spilt, And thou canst make me what thou wilt, And take me as I am.

No Preparation can I make, My best resolves I only break, Yet save me for thine own Name sake, and Take me as I am.

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LG Dogara

Zaria, Kaduna, Nigeria

Apr 23, 2015

This is me helpless and full of guilt. Daily I made promises that I will not allow my eyes take me astray but after a while I break. If it is by my own righteousness I can not measure up to You Lord but glory be to God it is with Your righteousness. Yet Lord take me as I am.

Thou canst make me as thou wilt. I can't go on like this, work in me to grow and overcome.

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Pearl

Lagos, Nigeria

Apr 9, 2015

"Whom have I on earth, beside Thee? Who in Heaven, but Thee"? You ignore my transgressions and forgive my iniquities. For my sake, you were shamed and crucified on the cross, and what do I give you in return? Nothing; at best, I break all my best resolves, but you still love me unconditionally. Sweet Jesus, please "take me as I am" lest I perish.

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Ayo Oloruntoba

Ashford, Kent, United Kingdom

Jan 25, 2015

I woke up this morning with a line of the lyrics of this hymn - My only plea is CHRIST died for me. So I went for one of the leaflet that I have at home from one of the retreats that I have attended in the past organised by Peace House Gboko Nigeria Western Zone. I found the song there but I needed the right tune for it so I went into the search engine to bring it up.

I am richly blessed by this song today. As I spend this day in the presence of my Maker alone seeking a way forward not by my own righteousness but by that blood shed for me by my Saviour CHRIST Jesus .

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