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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Alas! and did my Savior bleed

Praise of the Lord His Redemption

English104
1
Alas! and did my Savior bleed?
And did my Sov’reign die,
Would He devote that sacred head
For such a worm as I?
2
Was it for sins that I had done
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!
3
Well might the sun in darkness hide,
And shut his glories in,
When the incarnate Maker died
For man, His creature’s sin.
4
Thus might I hide my blushing face
While His dear cross appears
Dissolve my heart in thankfulness,
And melt mine eyes to tears.
5
But drops of grief can ne’er repay
The debt of love I owe;
Here Lord, I give myself away:
’Tis all that I can do.

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Toyin Diyan

London, United Kingdom

Nov 28, 2018

Lord I owe You my love; I owe You my life; I owe You my all! Take it all! Amen.

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Adasen Oghoverere

Mount Rainier, WA, United States

Apr 16, 2017

Glory be to God.

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JM

Sep 4, 2016

The best medicine for a cold, unloving heart. Best taken with the melody.

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Steve Okoth

Kgali, Rwanda

Jul 23, 2013

My favorite hymn. Reminds me of the reason to give my all for God having gave me His All.

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Steve Miller

Detroit, MI, United States

Apr 14, 2013

A 30-year-old blind woman heard a revival choir sing this simple hymn. Stanza after stanza stirred her heart, but when the choir came to the final line, "Here, Lord I give myself away," she gave herself away to the Lord as well. That blind woman was Fanny Crosby. - Great Songs of Faith by Brown and Norton

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Godwin Etti

Surrey, BC, Canada

Mar 11, 2011

I just want to appreciate Robert Wood's comments above. In all of our inquisitions in regards to our low spiritual tide, there isn't any thing else, in my opinion, that erodes our usefulness in the hands of God like having some hidden elevated self views. But when we truly come to grip with our total unworthiness then will be glory come down. The great apostle Paul exclaimed " For I know that in me (that is, in my flesh,) dwelleth no good thing ..." (Rom. 7:18). As mentioned in my comment above, it is this decietful self elevation that has cancelled kneeling down to pray in many Christian forum of worship. In as much as God is, in fact, not particular about our prayer postures, a time comes nevertheless in our lives that as the great prophet Daniel we "kneel" before this Great God of Heaven. May God help us to come to terms with our exalted position IN Christ and and not our earthly self-elevated views. Amen.

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Robert Wood

Las Vegas, Nevada, United States

Jun 4, 2010

Thank you for posting this the way Issac Watts wrote it. I see many hymnals that replace "worm" with "sinner", I guess because it seems less debasing. But until we see our total unworthiness we will never fully understand what Christ did. May my prayer always be "Dissolve my heart in thankfulness,

And melt mine eyes to tears."

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M.JOY METILDA RANI

Chennai, Tamil Nadu, India

Jan 25, 2010

I love this song so much and I can say that this song changed my life.

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Esther Hebrews

Chennai, TN, India

Sep 22, 2008

Will I not love the One who gave His life for me? My prayer always is that the LORD should be my love and nothing should come in His place. He is worthy of our love. He is our Jubilee!

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YURI ang balaang bugoy

Butuan City, Philippines

Jan 18, 2006

Yes, I was touched by this song so much! Amen! Thanks for the website. ALAS! AND DID MY SAVIOR BLEED..........I always sing this wonderful hynm. Praise the Lord.

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