Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

What can wash away my sin

Gospel The Blood

English1008
1
What can wash away my sin?
Nothing but the blood of Jesus;
What can make me whole again?
Nothing but the blood of Jesus.
 
Oh! precious is the flow
That makes me white as snow;
No other fount I know,
Nothing but the blood of Jesus.
2
For my cleansing this I see—
Nothing but the blood of Jesus!
For my pardon this my plea—
Nothing but the blood of Jesus!
3
Nothing can my sin erase
Nothing but the blood of Jesus!
Naught of works, ’tis all of grace—
Nothing but the blood of Jesus!
4
This is all my hope and peace—
Nothing but the blood of Jesus!
This is all my righteousness—
Nothing but the blood of Jesus!

Delete Comment

Delete this comment? This cannot be undone.

Kefas Ishaya Bawa

Jos, Plateau, Nigeria

Aug 16, 2026

Indeed the blood of Jesus has washed me 😊🙏

Praise the Lord 🙌🤲🙏

Read more
Christy Bala

FCT, Abuja Capital Territory, Nigeria

Jul 19, 2026

Thank you Lord for the precious blood you shared for me, today I am free.

Read more
Jobie

Indiana, United States

Jul 16, 2026

The saying is trustworthy & deserving of full acceptance, that Christ Jesus came into the world to save sinners, of whom I am the foremost.

1 Timothy 1:15

Read more
Mathan Garcia

Cincdihnati, Ohio, United States

Jun 21, 2026

Amen

Read more
Ana Lara

Storrs, Connecticut, United States

Jan 11, 2026

Robert Lowry was born in Philadelphia, Pennsylvania, on March 12, 1826. His fondness for music was exhibited from his earliest years. As a child, he entertained himself with different musical instruments that came into his hands.

At the age of 17 he joined the first Baptist Church of Philadelphia, and soon became an active worker in Sunday-school as teacher and chorister. At 22 he gave himself to the work of the ministry, and studied at the University of Leesburg, Pennsylvania. Then at 28 he graduated with the highest honors of his class.

In the same year of his graduation, he entered the work of the ministry. He served as pastor at different cities in West Chester, Pennsylvania, in New York City, in Brooklyn, and in Lewisburg, Pennsylvania, as well as becoming a professor at the University with an honorary degree of D. D. It was a very productive time for him— a total of 21 years serving in this capacity.

Then in 1875 he became Pastor Park Avenue Church in Plainfield, New Jersey.

Dr. Lowry was a man gifted with administrative abilities, an excellent preacher, and an avid Bible student, and whether he was on the pulpit or upon a platform, he was a brilliant and gifted speaker. Some of his most striking characteristics was that he was of a pleasing disposition, as well as possessed with a great sense of humor. He was able to engage his audiences by the use vivid descriptions and picturesque imagery.

Many of his hymns have been translated into other languages and while preaching the gospel was his greatest joy and his life’s work, music and hymnology became his most enjoyable recreation.

Dr. Lowry was selected to be editor of a Sunday school book, “Bright Jewels” which was a great success. There were other Sunday school books that he edited as well and all of them becoming extremely popular. When he saw that the obligations of musical editorship were laid up upon him he began to study music more deeply, and sought the best musical textbooks and works of the highest forms in musical composition. He possessed one of the finest musical libraries in the country. It abounded in works on the philosophy and science of musical sound. He also had some musical works in his possession that were over 150 years old!

A reporter once asked him what was his method of composition— “do you write the words to fit the music or the music to fit the words? ” His reply was :

“I have no method. Sometimes the music comes, and the words follow fitted insensibly to the melody. I watch my moods, and when anything good strikes me, whether the words or music, and no matter where I am, at home on the street, I jot it down. Often the margin of a newspaper or the back of an envelope serves as a notebook. My brain is a sort of spinning machine, I think, for there is music running through it all the time. I do not pick out my music or the keys of an instrument. The tunes of nearly all the hymns I have written have been completed on paper before I tried them on the organ. Frequently the words of the hymn and the music have been written at the same time. “

Another time Lowry said of preaching the gospel and writing hymns, “I would rather preach a gospel sermon to an appreciative, receptive congregation than to write a hymn. ” Yet in spite of his preferences, Dr. Lowry’s hymns have gone on and on, translated into many languages, preaching and comforting, thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God for his goodness to the children of men. What he had thought of his inmost soul has become a part of the emotions of the whole Christian world.

Reverend Robert Lowry, D. D. died at his residence in Plainfield, New Jersey, November 25, 1899. However he still lives in his sermons and gospel songs which are heard all over the world. Dr. Lowry is considered to be one of the world’s greatest gospel song and hymn writers.

( WholesomeWords. org)

Read more
Rhonda Darbouze

Edison, NJ, United States

Dec 4, 2025

Something about the blood of Jesus

Read more
Anonymous

Dec 4, 2025

Nothing but blood of Jesus this song touched my heart

Read more
Jim Smith

Mansfield, Ohio, United States

Nov 19, 2025

Verse 4 really touched me. I know the blood cleanses my sin but I forget why. It is by His blood we are made righteous and become the righteousness of God. Nothing we do or say or think, especially nothing of our own good behavior, can ever make us righteous and acceptable to God. When we take Christ as our righteousness, which is truly grace, we can come to God our Father. We need His blood desperately. Without the blood, we are totally hopeless and dead in our sins.

4
This is all my hope and peace—
Nothing but the blood of Jesus!
This is all my righteousness—
Nothing but the blood of Jesus!

Read more
Kathleen

McArthur, CA, United States

Sep 6, 2025

O thank the Lord my soul. I am cleansed by the blood of Jesus! I am redeemed and restored by His sacrifice. I pray the Light of Jesus shine in my life to help light The Way for others. May I be Your instrument, O God, until my last breath.

Read more
Erika Bondarenko

Erie, Pennsylvania, United States

Aug 19, 2025

Oh precious is the flow! That makes me white as snow!

Read more