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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

出到營外就耶穌

經歷基督 跟隨祂

Chinese429
1
『出到營外』就耶穌,
忍受祂受的凌辱;
祂在城外受苦楚,
我豈可以貪舒服。
2
『出到營外』就耶穌,
十字苦架甘背負;
祂曾走過這窄路,
我今跟隨祂腳步。
3
『出到營外』就耶穌,
撇下親人和家族;
父神旨意祂所顧,
人情豈能將我阻?
4
『出到營外』就耶穌,
除非與祂不為伍;
世界團體、宗教組,
就此永遠不再屬。
5
『出到營外』就耶穌,
任憑人都與我疏;
這路雖然苦且孤,
有祂作伴心已足。
6
『出到營外』就耶穌,
與祂同行樂何如;
因祂笑容受鼓舞,
以祂同在作寄廬。
7
『出到營外』就耶穌,
直到路盡天已曙;
那時見祂必歡呼,
得祂稱許進國度。

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