Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

我已得到宇宙至宝

经历基督 作一切

Chinese388
第一辞
1
我已得到宇宙至宝,
我心因此欢呼;
欢呼基督给我得到,
何等一位基督!
2
我这基督是神羔羊,
担当我的罪愆;
又是神的公义太阳,
发出医治光线。
3
我这基督是生命树,
长在神的乐园;
祂的美果作我食物,
供应丰富、甘甜。
4
我这基督是生命泉,
流出活水江河;
在我里面流到永远,
解除一切干渴。
5
我这基督是我祭司,
为我显在神前,
也是先知满有启示,
且是君王掌权。
6
是我救主、中保、大夫、
牧人、策士、元首、
我兄、我父、
我神、我主、
师尊、良人、密友。
7
是我生命、能力、智慧:
公义、圣洁、救赎;
平安、喜乐、
盼望、安慰、
荣耀、亮光、道路。
8
我这基督充满万有,
怎能述尽说竭?
祂是首先、祂是末后、
祂是一切一切!
9
我既得到这样至宝,
我心怎不欢呼!
欢呼基督给我得到,
何等一位基督!
第二辞
1
我已得到宇宙至宝,
我心因此欢呼;
欢呼基督给我得到,
何等一位基督。
2
我这基督是神羔羊,
担当我的罪愆;
又是神的公义太阳,
发出医治光线。
3
我这基督是生命树,
长在神的乐园;
祂的美果作我食物,
供应丰富、甘甜。
4
我这基督是被击磐,
流出活水江河;
在我里面是生命泉,
解我一切干渴。
5
是我生命、亮光、道路、
安慰、安息、健康,
是我夸口、荣耀、丰富、
平安、喜乐、盼望。
6
是我智慧、是我公义、
是我圣洁、实际、
是我救赎、是我能力、
是我释放、胜利。
7
我这基督是我祭司,
为我显在神前,
也是先知满有启示,
且是君王掌权。
8
是我救主、中保、大夫、
牧人、策士、元首、
我兄、我父、
我神、我主、
师尊、良人、密友。
9
基督是我元帅、先锋,
率领、争战、开路;
是我守卫、向导、侍从,
保守、引导、照护。
10
基督是我永远居所、
是我丰富美地、
是我堡垒、高台、避所、
是我永远目的。
11
基督是我愿望、倚靠、
是我喜悦、满足;
基督是我奖赏、目标、
是我供应、帮助。
12
基督是我丰沃肥土、
是我春雨、甘露;
基督是我真葡萄树,
我在祂里居住。
13
基督是我节期、月朔、
是我真安息日;
基督是我清晨、白天、
是我今生、永世。
14
我这基督充满万有,
怎能述尽说竭?
祂是首先、祂是末后、
祂是一切一切!
15
我既得到这样至宝,
我心怎不欢呼!
欢呼基督给我得到,
何等一位基督!

Delete Comment

Delete this comment? This cannot be undone.

Sam Liu

New York City/Stony Brook, New York, United States

Jul 11, 2021

我們要做正確的人,才能產生基督。因著我們的配合乃使基督成為這首詩歌所描繪的各樣豐富人,事,物:為著基督得基督!

Read more
一姊妹

桂林

Nov 3, 2019

基督是我春雨甘露!基督是我喜乐满足!

Read more
唐姊妹

北京

Sep 8, 2019

基督是我真安息!

Read more
黄姊妹

长沙

Jun 30, 2019

耶稣!我已得到祢这宇宙至宝!祢已经作我永远居所!

Read more
马姊妹

北京

Mar 24, 2019

基督 是我生命、亮光、道路、
安慰、安息、健康,
是我夸口、荣耀、丰富、
平安、喜乐、盼望!

Read more
高越

圣地亚哥, California, United States

Oct 16, 2016

我已经得到这宇宙至宝!哦,主耶稣啊,你是我生命源泉,解除我一切的干渴!

Read more