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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

我知何時我的罪擔

得救的證實與快樂 被主釋放

Chinese243
1
我知何時
我的罪擔全脫落:
多年晝夜將罪擔苦背著,
等我相信主的話,
按祂所說接受祂,
霎時間,
我的罪擔全脫落!
 
全脫落!全脫落!
我今快樂,
因我罪擔全脫落;
全脫落!全脫落!
我今快樂,
因我罪擔全脫落。
2
我知何處
我的罪擔全脫落:
當我晝夜怕罪擔不能脫,
聖靈示我脫罪法,
帶著罪擔就十架;
一到彼,
我的罪擔全脫落。
3
我知何故
我的罪擔全脫落:
罪擔多年曾晝夜纏累我,
等我來到恩座前,
主的榮顏僅一顯,
就因此,
我的罪擔全脫落。
4
我今歌唱,
因我罪擔全脫落,
心裡晝夜湧美辭、
頌不輟;
我今活著為我主,
日日高唱樂歡呼-
阿利路!
我的罪擔全脫落。

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Nokia Tsu

Taipei, Taiwan

Nov 8, 2021

主啊!感謝你,你的容顏僅一顯,我的嘴但就能脫落

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