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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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榮耀基督太初就有

讚美主 一般

Chinese188
1
榮耀基督,太初就有,
祂的根源在亙古!
全能的神,早過宇宙,
自有永有永遠父;
無生之始,無命之終,
無父、無母、無族譜;
永不改變,年數無窮,
昔在、今在、永在主。
2
榮耀基督,創造萬有,
萬有獨一的根源;
萬有主宰、萬有元首,
萬有之間祂居先;
用祂命令托住萬有,
萬有靠祂而團結;
神早立祂承受萬有,
萬有歸祂為基業。
3
榮耀基督,道成肉身,
支搭帳幕在人間;
童女所生正式的人,
神在肉身的顯現。
神而人者自甘卑微,
取了奴僕的形狀,
是神榮耀所發光輝,
是神本體的真像。
4
榮耀基督,釘死十架,
替我擔罪並成罪,
受神審判,被神所殺,
嘗盡死亡的苦味。
將我舊人一同釘死,
毀壞撒但和鬼魔,
使我脫離罪的權勢,
脫離一切的網羅。
5
榮耀基督,從死復活,
成為復活初熟果;
祂也使我同祂復活,
將祂生命分給我。
祂是一粒生命麥種,
生出我們許多粒,
成為祂的許多弟兄,
與祂同是出於一。
6
榮耀基督,化成聖靈,
到我靈裡作生命,
使我有分神的性情,
與祂同樣的神聖。
在我裡面長大成形,
將我變成祂形狀;
使我享受神的豐盛,
有祂豐滿的身量。
7
榮耀基督,升上高天,
遠超一切的首領,
得著尊貴、榮耀冠冕,
並得至高的尊名。
祂也帶我與祂同升,
與祂一同坐天上,
使我分享祂的權柄,
同祂一樣的高強。
8
榮耀基督,賜下聖靈,
召會因此得成立;
並賜恩賜,各盡功能,
建造召會作身體。
祂愛召會,保養、顧惜,
藉著召會得彰顯;
召會將祂延長、普及,
延長、普及宇宙間。
9
榮耀基督,得國再臨,
提接、救贖祂聖徒,
踐踏仇敵,審判萬民,
憑祂權柄設國度。
帶著聖徒一同作王,
執政掌權到地極,
萬國和平,萬有歌唱,
全地都得享安息。
10
榮耀基督,永世中心,
得著聖城為配偶;
天地一切全都更新,
脫盡一切的陳舊。
神是榮光,祂是明燈,
神在祂內得彰顯;
聖城又是祂的顯明,
由祂充滿到永遠!

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唐姊妹

桂林

Dec 10, 2023

感谢救主耶稣救我脱离罪的权势,脱离一切魔鬼的网罗!

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