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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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在此分享这福杯

赞美主 对祂的记念

Chinese175
1
在此分享这福杯,
怎能闭口不赞美?
你为我流的宝血,
价值谁能尽领会!
哦主,你血何宝贵!
我的问题全应付;
因你有效的宝血,
一切忧惧都消除。
2
借这有效的宝血,
新约为我得成立;
为着这个更美约,
祂是稳固的根基。
我们已蒙神救赎,
并非凭着金或银,
乃是凭着你宝血,
就是在此我所饮。
3
为使我罪得洗净,
洗罪之血你已流;
这血为我满足神
一切公义的要求。
用你有力洁净血,
你将我罪已洗尽;
并且洗净我良心,
使我事奉永活神。
4
借你分别的宝血,
我们都已得成圣;
借你保守的宝血,
圣别成为我见证。
借你赎罪的宝血,
我们都已得称义;
借你救赎的宝血,
我得与神无距离。
5
借你十架所流血,
我们已与神和好;
使我能以接触神,
与神平安的相交。
借著有分你的血,
我已得着你生命;
凭你宝血和生命,
享受自由和安宁。
6
在天你所洒的血,
为我说出更美事;
在这血的护庇下,
我脱撒但的攻势。
靠你得胜的宝血,
我们胜过那仇敌;
如此对那控告者,
我们就能得胜利。
7
我们借着你的血,
与众圣徒同交通;
在你这血遮盖下,
我灵自由无惊恐。
我们何能用话语,
说尽你血的故事,
我们需要那永世,
来说你血的价值。

Delete Comment

Delete this comment? This cannot be undone.

Simon

Sibu, Sarawak, Malaysia

Dec 10, 2023

主的宝血何等的甜美!

Read more
Kiew Lee

Sibu, Sarawak, Malaysia

Mar 12, 2023

我們藉著你的血,
與眾聖徒同交通;
在你這血遮蓋下,
我靈自由無驚恐。
我們何能用話語,
說盡你血的故事,
我們需要那永世,
來說你血的價值。

Read more
黃弟兄

United States

Aug 15, 2021

感謝讚美主,
藉你贖罪的寶血,
我們都已得稱義;
藉你救贖的寶血王,
我得與神無距離。

Read more
杨锋

Boston, United States

Jun 20, 2021

哈利路亚,感谢赞美主,主的宝血

1. 满足父的心意

2. 是我唯一到父那里去的凭借,是我唯一 稳固的根基 和道路,不是我的功劳,不是我的感觉,

3. 胜过撒旦一切的控告。宝血遮盖我一切的软弱,一切的过犯,一切的罪,撒旦再也不能借此 控告我。

何等的自由,何等的释放。我们可以做正常基督徒,若取用宝血,若取用宝血,

Read more
Anonymous

United States

May 30, 2021

靠你得勝的寶血,我們勝過那仇敵;

如此對那控告者,我們就能得勝利。

Read more
Zuoma

哈巴隆, 哈巴隆科所俄, Aland Islands

Feb 23, 2020

见证救赎的宝血

Read more
黄姊妹

长沙

Oct 27, 2019

靠祢得胜的宝血!我灵自由无惊恐!

Read more
Sue

Calgary, Canada

Dec 23, 2018

在您宝血遮蓋下,

我靈自由無驚恐。

Read more
马姊妹

北京

Nov 4, 2018

在祢宝血的护庇下,

我脱撒但的攻势!赞美主!哈利路亚!赞美不尽!

Read more
Eric Chang

Apr 1, 2018

你血的價值

Read more