Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

恩主你是生命源

赞美主 对祂的满足

Chinese167
1
恩主,你是生命源,
深而且甜之泉:
你的活水我已尝,
永不再渴再干。
你的怜悯时扩展,
丰满如同海洋;
你的恩典够我用,
是你智慧所量。
2
我乃属我的良人,
我的良人属我;
你将污秽的罪人,
带进你宴筵所。
你的功绩我所倚,
你外别无可投;
隐藏在你面光中,
享受你的保守。
3
新妇所爱非妆饰,
乃是良人自己;
我所注视非荣耀,
乃是你的美丽:
非你所赐的冠冕,
乃你被钉之手;
恩主,你是我荣耀,
我的永远倚投。

Delete Comment

Delete this comment? This cannot be undone.

高越

西雅图, United States

May 23, 2026

一位西雅图的姊妹要用这首诗歌作为结婚聚会诗歌,真美好

Read more
Robert

Kaohsiung, Taiwan

Sep 21, 2025

主是生命的源泉,讓我們飲用享受,使我的們不再乾渴

Read more
Anonymous

Taiwan

Apr 13, 2025

何等大的憐憫,祢將汙穢的罪人,帶進祢宴筵所;何等大的憐憫,謝謝祢。

Read more
Carol

Bangkok, Thailand

Jun 23, 2024

感謝讚美主
成就了我這樣的人生及光景
為主所賜所做的一切 感恩不盡 讚美不已!

Read more
Andy

Irvine, California, United States

Feb 25, 2024

感谢赞美主!有你这深且甜的泉我们不再干渴!

Read more
John

Taiwan

Oct 29, 2023

你將污穢的罪人,
帶進你宴筵所。
主,感謝你!

Read more
杜弟兄

HsinChu, Taiwan

Oct 8, 2023

你的恩典彀我用,

是你智慧所量

Read more
黃韡誠

高雄市, Taiwan

Mar 19, 2023

恩主活水深而且甜

Read more
梁均銘

苗栗縣, 頭屋鄉, Taiwan

Aug 2, 2020

2020. 8. 2 苗中集中,公館美地

Read more
Paul Lin

Taipei, Taiwan

Jul 12, 2020

〔基督〕把新婦獻給自己的時候快到了。新婦獻給基督時,必定沒有任何斑點或皺紋。在新婦身上,基督不注視別的,只注視她的美麗。這美麗乃是基督所是的返照。你知道新婦的美麗是從那裏來的麼?這美麗乃是來自那位作到召會裏面,然後藉着召會彰顯出來的基督。我們的美麗不是我們的行爲;我們所有的美麗乃是基督的返照,就是基督從我們裏面照耀出來。基督在我們身上所珍賞的,乃是祂自己在我們身上的彰顯。

首先,基督必須進到我們裏面,並被我們吸收。然後,祂就能從我們裏面照耀出去。這個照耀乃是新婦的榮耀,是神性藉着人性的彰顯。真實的美麗乃是神聖屬性藉着人性的彰顯。宇宙中沒有甚麼像這個彰顯如此美麗的。所以,新婦的美麗乃是基督從我們照耀出來。…藉着我們的人性,神聖的色澤、外表、味道、性情和特質,就得着彰顯。爲着這樣的美麗,阿利路亞!

在婚配那日,新郎在意他新婦的美麗,遠過於她的才幹。照樣,在召會生活中,對主來說,我們的美麗最終比我們的功用重要得多。召會生活剛開始的時候,我們也許強調能力和功用。但最終我們要更多強調美麗。…不要太注意在功用上成爲能幹、彀資格、有恩賜的人。起先,這也許在召會生活中算得了數,但至終主要給我們看見,祂所在意的不是我們的能力;祂所在意的乃是從我們的人性所彰顯出祂自己的美麗。基督的心意不是要把一個能幹的召會獻給祂自己;所要獻給祂的召會,乃是榮耀的、美麗的,沒有斑點和皺紋、或任何這類的病。我們若要除去瑕疵和缺陷,就必須更多將基督接受進來。祂不僅爲着我們的功用加強我們,祂更使我們美麗,好作祂的新婦。

在召會是新人這一面,有力量和能力;但在召會是新婦這一面,卻有美麗和榮耀。我們應當學習輕看我們的能力和力量,因爲作爲新婦的一部分,我們不是男的,乃是女的。在婚配的時候,召會所需要的是美麗,不是力量。哦,召會藉着有分於基督、消化基督、並吸收基督而漸漸變爲美麗的!我們越這樣經歷內住的基督,祂就越要以祂自己的元素頂替我們的斑點和皺紋,並且祂的豐富同祂神聖的屬性,也越要成爲我們的美麗。這樣,我們就豫備好獻給基督,作祂心愛的新婦。

Read more