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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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看哪耶穌天上坐著

讚美主 祂的高舉

Chinese115
1
看哪,耶穌天上坐著!
我主基督登寶座!
祂是那人神所高舉,
榮耀、尊貴已得著。
2
祂曾穿上人的性情,
照神計畫且死過,
帶著身體從死復活,
仍然是人升天坐。
3
在祂裡面神降為卑,
神來地上同人處;
在祂裡面人升為高,
人到天上同神住。
4
祂是真神與人調和,
神在人裡被宣告;
祂是真人與神聯合,
人在神裡得榮耀。
5
從那升天得榮耶穌,
降下包羅萬有靈;
耶穌身位和祂工作,
全由這靈來證明。
6
和那升天得榮耶穌,
今天召會能聯合;
藉著這位耶穌的靈,
基督肢體能同活。
7
看哪,一人天上坐著!
萬有之主在寶座!
這是救主耶穌基督,
榮耀、尊貴永得著!

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Delete this comment? This cannot be undone.

Kiew Soon Lee

Sibu, Sarawak, 砂拉越, Malaysia

Nov 23, 2025

祂曾穿上人的性情,
照神计画且死过,
带著身体从死复活,
仍然是人升天坐。

Read more
Kyle Lin

Auckland, New Zealand

May 4, 2024

这是救主耶稣基督,
荣耀、尊贵永得着!
Amen!

Read more
Pneuma Wu

Beidou, Chunghua, Taiwan

Nov 5, 2023

這是救主耶穌基督,

榮耀、尊貴永得著!

Read more
Joseph Hsu

Miaoli, Taiwan

Sep 18, 2022

一首高舉基督屬人的生命與性情到極點的詩歌,看哪一人耶穌天上坐著,我主基督登寶座,一節說祂榮耀尊貴已得著,末了一節加強的說榮耀尊貴永得著,為何是永得著喔?因為這個榮耀尊貴乃是神自己的神性,進入耶穌的人性裡相調和為一,這完全調和的模型乃是神而人者基督耶穌,也是人而神者耶穌基督,而這完全調和的一位,在祂得榮耀之耶穌基督的靈裡,以生命出生的方式大量的複製我們,使之在調和的靈裡,成為能與得榮得尊貴的耶穌基督聯合為一,藉由得榮之耶穌的靈浸透我們全人,召會這團體的基督也一同得榮耀尊貴,所以說,基督耶穌祂的榮耀尊貴不止已得著,更是永得著。

Read more
Suzy

Taichung, Taiwan

Mar 6, 2022

主已升天登寶座,要勝過撒旦及地上的惡者,榮耀歸與父與主

Read more
法拉盛青年排Ii

Oakland Gardens, NY, United States

Dec 6, 2020

在祂里面神降为卑,
神来地上同人处;
在祂里面人升为高,
人到天上同神住。

Read more
Samuel Chou

Hsinchu City, Taiwan

Mar 15, 2020

看哪耶穌天上坐著!

Read more
Paul Lin

Taipei, Taiwan

Jun 16, 2019

『那時必有寶座因慈愛堅立,必有一位憑真實坐在其上,在大衛的帳幕中施行審判,尋求公平,速行公義。』賽十六5
『他要建造耶和華的殿,並擔負尊榮,坐在寶座上掌權;又必在寶座上作祭司,在兩職之間籌定和平。』亞六13
『論到子卻說,“神阿,你的寶座是永永遠遠的,你國的權杖是正直的權杖。』來一8

『我又聽見在天上、地上、地底下、滄海裏的一切受造之物,以及天地間的萬有都說,但願頌讚、尊貴、榮耀、權能,都歸與坐寶座的和羔羊,直到永永遠遠。』啟五13

『大聲喊著說,願救恩歸與坐在寶座上我們的神,也歸與羔羊。』啟七10

Read more
Wang 弟兄

Dec 30, 2018

看哪,一人天上坐著!
萬有之主在寶座!
這是救主耶穌基督,
榮耀、尊貴永得著!

Read more
马姊妹

北京

Nov 4, 2018

祂是真神与人调和,
神在人里被宣告;
祂是真人与神联合,
人在神里得荣耀。
感谢神,您与我们相调和!

Read more