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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

基督復活阿利路亞

讚美主 祂的復活

Chinese101
1
基督復活!阿利路亞!
得勝的主已復活;
向祂高歌,阿利路亞!
基督死過又活著。
我心感戴,向祂敬拜,
因祂面光又重顯;
祂前俯伏,歡樂奏凱,
勝過痛苦與憂患。
 
基督復活!阿利路亞!
得勝的主已復活;
向祂高歌,阿利路亞!
基督死過又活著。
2
基督復活!何等歡欣!
地上艱苦都過去;
經過歡樂敞開之門,
祂又回到生命域;
死亡陰間全都征服,
復活作了得勝者;
天使觀看祂的步武,
榮冕戴祂傷過額。
3
基督復活,何等超脫!
死亡、陰間難困我;
我屬基督,憑祂活著,
一切就都全勝過;
所有疑惑、一切頹喪,
從我慄心全止息;
復活之日應該歡暢,
興起來赴這筵席。

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