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À propos de la notation chiffrée

Les chiffres sont les notes d'une gamme

La notation chiffrée (jianpu, 简谱) note une mélodie avec des chiffres plutôt qu'avec des notes sur une portée. Pas besoin de savoir lire la musique : avancez une petite étape à la fois et appuyez sur Écouter sous un exemple pour l'entendre pendant que chaque chiffre s'allume. Le son ne démarre que lorsque vous appuyez sur Écouter.

Au lieu de notes sur une portée, chaque note est un chiffre de 1 à 7. Ce sont les sept degrés de la gamme que vous connaissez déjà : do ré mi fa sol la si. Après le 7, la gamme recommence au 1.

Les sept chiffres avec leur nom. Appuyez sur Écouter et dites chaque nom quand son chiffre s'allume.
Chantez avec : do ré mi fa sol, puis redescendez jusqu'au do.

Si vous savez chanter do ré mi, vous savez déjà chanter chaque chiffre de 1 à 7. Touchez ou cliquez sur un chiffre pour entendre cette seule note.

« 1=C » indique où commencer

En haut à gauche de la partition, vous verrez par exemple 1=C. Cela signifie que le chiffre 1 (do) est la note C, et que tous les autres chiffres montent à partir de là. 1=G signifie que do est G : toute la mélodie est un peu plus haute. Rien d'autre ne change : les mêmes chiffres dessinent la même forme, simplement plus haut ou plus bas.

1=C : do est C.
1=G : les mêmes chiffres, en partant plus haut.

Vous ne savez pas où est le C ? Au piano, c'est la touche blanche juste à gauche des deux touches noires. Ou ignorez la lettre et commencez sur une note confortable pour votre voix : la mélodie doit seulement garder sa forme. Les boutons − et + de la tonalité, sur la page d'un cantique, la déplacent pour vous.

Les points montent ou descendent une note

Un point au-dessus d'un chiffre signifie une octave plus haut. Un point en dessous signifie une octave plus bas. Deux points : deux octaves. Sans point, c'est le registre médian, où se trouve l'essentiel d'une mélodie. Le nom reste le même ; seule la hauteur change.

Le même chiffre à trois hauteurs : point en dessous, sans point, point au-dessus.
Une mélodie qui monte : elle commence sur un sol grave et finit sur un do aigu.

Combien de temps dure chaque note

Battez la mesure du pied à allure régulière : chaque battement est un temps. Un chiffre simple dure un temps : vous chantez donc un nouveau chiffre à chaque battement. Les tirets, les traits et les points modifient cela.

Un chiffre simple dure un temps

Quatre chiffres, quatre temps : un chiffre par battement.

Un tiret prolonge la note

Chaque tiret ajoute un temps. Le 5 dure deux temps et le 3 en dure quatre.

Un trait en dessous la raccourcit

Un trait vaut un demi-temps : deux chiffres soulignés se partagent donc un temps. (Deux traits valent un quart de temps.)

Un point après l'allonge de moitié

Un point après un chiffre ajoute la moitié de sa durée. Le premier 5 dure un temps et demi, et le 3 court complète le second temps.

0 signifie silence

Un 0 est un temps de silence. Continuez à compter et à battre la mesure, mais ne chantez pas. Les tirets après un 0 allongent le silence, comme ils allongent une note.

Chantez 1 3 5, faites silence un temps, puis redescendez. Les silences s'allument aussi, pour que vous sentiez la pause.

Barres de mesure et indication de mesure

Les traits verticaux découpent la musique en mesures qui contiennent toutes le même nombre de temps. Les deux petits chiffres du début, comme 4/4 ou 3/4, indiquent combien : 4/4, c'est quatre temps par mesure, 3/4 trois. Le premier temps de chaque mesure est le plus fort : appuyez-vous un peu dessus. Une double barre à bord épais marque la fin.

4/4 : comptez 1 2 3 4, 1 2 3 4. Le premier temps de chaque mesure sonne un peu plus fort.
3/4 : comptez 1 2 3, 1 2 3, comme une valse.

Courbes : liaisons de prolongation et de phrasé

Une courbe au-dessus des chiffres les relie. Si elle relie deux fois le même chiffre, c'est une liaison de prolongation : chantez la note une seule fois et tenez-la pour les deux. Si elle relie des chiffres différents, c'est une liaison de phrasé : chantez-les tous sur une seule syllabe, en glissant de l'un à l'autre.

Une liaison de prolongation : le 5 est chanté une fois et tenu au-delà de la barre de mesure, six temps en tout.
Une liaison de phrasé : « Lui » est chanté sur deux notes, 3 puis 2.

Les paroles sont sous les chiffres

Chaque chiffre reçoit une syllabe, écrite juste en dessous. Un petit tiret après un morceau de mot signifie que le mot continue sous le chiffre suivant. Si un chiffre n'a rien en dessous, il appartient à une courbe ou à un tiret : continuez la syllabe en cours.

À lire de gauche à droite, une syllabe par chiffre : Ah ! vous di-rai-je, Ma-man.

Signes de reprise et fins 1. 2.

Une barre de mesure avec deux points, :|, signifie : revenez en arrière et chantez cette partie une seconde fois, depuis le signe |: correspondant (ou depuis le début s'il n'y en a pas). Parfois la reprise a deux fins. Chantez la fin 1. la première fois ; à la reprise, sautez-la et chantez la fin 2. à la place.

Écoutez-le : vous entendez la fin 1., la reprise, puis la fin 2. Regardez la surbrillance revenir en arrière.

Tonalités mineures : « 6=A »

Un chant en mode mineur, qui sonne en général plus grave ou plus tendre, porte une indication comme 6=A au lieu de 1=C. Elle signifie que le chiffre 6 (la) est la note d'attache, ici A. Les chiffres gardent leur nom habituel ; la mélodie se sent chez elle sur le 6 et y finit souvent. 6=A utilise les mêmes notes que 1=C.

Elle commence et finit sur le 6 (la), la note d'attache. Écoutez la couleur plus sombre.

Tout ensemble : une ligne de cantique

Voici la première ligne du cantique 8, « Praise God, from whom all blessings flow », en notation chiffrée. Essayez d'abord le tempo lent, et chantez les paroles au moment où chaque chiffre s'allume.

1=G à 4/4. Trois temps de silence, puis « Praise » sur le temps 4. Les points sous 7, 6 et 5 signifient que ces notes descendent d'une octave.

Testez-vous

Quatre questions rapides, sans score et sans pression. Touchez une réponse pour voir tout de suite pourquoi elle est juste ou fausse. Vous pouvez toujours essayer une autre réponse.

Touchez le chiffre qui est tenu le plus longtemps.

Touchez le 5 qui est une octave plus haut que le premier 5.

Que signifie un 0 ?

Avec 1=G, quelle note est le chiffre 1 ?

À essayer sur un cantique

Vous avez ouvert ceci depuis un cantique qui a une vue Numérotée : vous pouvez donc essayer tout de suite.

  1. Regardez en haut à gauche de la partition : la tonalité, comme 1=D, et l'indication de mesure, comme 3/4.
  2. Trouvez le premier chiffre et chantez-le. Puis suivez les chiffres de gauche à droite avec les paroles en dessous, une syllabe par chiffre. Appuyez sur Lecture dans le lecteur pour entendre l'enregistrement pendant que vous suivez.
  3. Les lettres au-dessus des chiffres (C, G7) sont des accords pour guitare ou piano. Ignorez-les pendant que vous apprenez la mélodie.
  4. Pour être guidé, ouvrez l'onglet Apprendre et appuyez sur Lecture. Sous Affichage, réglez la notation du mode Apprendre sur Numérotée (ou choisissez d'abord Numérotée dans l'onglet Grille d'accords). Pour les cantiques qui ont des lignes chiffrées, chaque ligne de chiffres défile à l'écran en rythme avec l'enregistrement pendant qu'une balle rebondissante suit les paroles ; les autres cantiques y montrent la notation piano. Le menu Vitesse permet de ralentir.

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Down at the cross where my Savior died

Assurance and Joy of Salvation Redeemed by the Blood

English1125
1
Down at the cross where my Savior died,
God’s righteous nature was satisfied;
There to my sin was the blood applied,
Glory to His name!
 
Glory to His name,
Glory to His name;
There to my sin was the blood applied,
Glory to His name!
2
Saved from our sin at this fountain, we
Fully enjoy our redemption free;
This we’ll enjoy for eternity,
Glory to His name!
3
Oh, precious fact, when my Savior died,
Not only sin’s debt was satisfied;
Life’s flowing fountain was opened wide!
Glory to His name!
 
Glory to His name,
Glory to His name;
Life’s flowing fountain was opened wide,
Glory to His name!
4
Now both redemption and life we share,
Cleansed in His blood, we’re abiding there
Drinking the water of life fore’er;
Glory to His name!

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Elmhurst Meeting Hall

Flushing, NY, United States

août 23, 2026

Glory to His name

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Un Hermano

oct. 9, 2025

THE FORGIVENESS OF SINS AND THE CLEANSING AWAY OF SINS

In His full salvation, God first forgives us of our sins and cleanses us of our sins. When we receive God’s full salvation, the first items we enjoy are God’s forgiveness of our sins and His cleansing away of our sins.

I. FORGIVENESS OF SINS

1) “Everyone who believes into Him receives forgiveness of sins”( Acts 10:43 ).

Forgiveness of sins is the first part of our redemption, and it is received by us at the moment we believe. Our first problem before God is that there is a record of sin because of our sinful deeds. Only when our record is cleared can the righteousness of God release us. Unless our sinful deeds before Him are eliminated, the righteous God cannot grant us the remaining items of His redemption. Therefore, we first need to have God’s forgiveness of our sins.

A. The Significance of Forgiveness of Sins

1) Being delivered from the penalty of God’s righteousness—“He who believes into Him is not judged”( John 3:18 ).

First, forgiveness of sins means the elimination of our record of sin before God that we may be delivered from the penalty of God’s righteousness. Because we had a record of sin before God and were condemned, we should have suffered God’s righteous punishment. But when God forgave us, He delivered us from His righteous penalty and condemned us no longer.

2) Causing the sins to leave the forgiven ones—“Give... forgiveness of sins”( Acts 5:31 ); “The Lord hath laid on him [Christ] the iniquity of us all”( Isa. 53:6 ); “Himself [Christ] carried up our sins in His body onto the tree [the cross]”( 1 Pet. 2:24 ).

In the New Testament the Greek word for forgiveness means “causing (it) to leave” and “sending away. ” When God forgives us of our sins, He not only eliminates our record of sin before Him but also causes the sins which we have committed to depart from us. This is because, when God made the Lord Jesus our offering for sin on the cross, He laid all our sins on Him that He might carry them for us. Furthermore, when God caused the Lord Jesus to carry our sins on the cross to suffer God’s judgment and punishment in our place, He also caused all our sins to be laid on Satan that he should bear them forever. This is revealed in type in the atonement recorded in Leviticus 16 . Sin came from Satan and was passed on to us, resulting in our having a record of sin before God. God put all our sins on the Lord Jesus that He might carry them all to suffer God’s punishment for us and cancel our record of sin before God. Having done this, God gave all our sins back to Satan that he might bear them himself. In this way, God is able to forgive the sins of the forgiven ones and cause their sins to leave them. “As far as the east is from the west, so far hath he removed our transgressions from us” ( Psa. 103:12 ).

3) Forgetting the sins of the forgiven ones—“I [God] will be propitious to their unrighteousnesses, and their sins I will by no means remember anymore”( Heb. 8:12 ).

When God forgives the forgiven ones of their sins, He also forgets their sins. When God forgives our sins, He not only cancels our record of sin and causes our sins to depart from us, but in Himself He also forgets our sins. Once He forgives us, He erases our sins from His memory and will by no means remember them anymore.

B. The Basis for Forgiveness of Sins

1) “Without shedding of blood there is no forgiveness”( Heb. 9:22 ).

God’s forgiveness of sins is based on the shedding of blood for redemption. Because He is righteous, God cannot forgive men’s sins without a cause. His righteousness requires that all who sin must die ( Ezek. 18:4 ). Unless His righteous requirement is satisfied, His righteousness cannot allow Him to forgive sinners of their sins. But since the Lord Jesus died and shed His blood on the cross according to the righteousness of God, thus satisfying God’s righteous requirement, God can legally forgive men of their sins according to His righteousness. The Lord Jesus said, “This is My blood of the covenant, which is poured out for many for forgiveness of sins” ( Matt. 26:28 ). Since the blood of the Lord Jesus was shed for men according to God’s righteousness, thus fulfilling God’s righteous requirement, it has become the basis upon which the sins of those who believe in Him may be forgiven.

Life Lessons, Vol. 4

Lesson 38 (LSM)

Lire la suite
Un Hermano

oct. 9, 2025

I. FORGIVENESS OF SINS

1) “Everyone who believes into Him receives forgiveness of sins”( Acts 10:43 ).

Forgiveness of sins is the first part of our redemption, and it is received by us at the moment we believe. Our first problem before God is that there is a record of sin because of our sinful deeds. Only when our record is cleared can the righteousness of God release us. Unless our sinful deeds before Him are eliminated, the righteous God cannot grant us the remaining items of His redemption. Therefore, we first need to have God’s forgiveness of our sins.

A. The Significance of Forgiveness of Sins

1) Being delivered from the penalty of God’s righteousness—“He who believes into Him is not judged”( John 3:18 ).

First, forgiveness of sins means the elimination of our record of sin before God that we may be delivered from the penalty of God’s righteousness. Because we had a record of sin before God and were condemned, we should have suffered God’s righteous punishment. But when God forgave us, He delivered us from His righteous penalty and condemned us no longer.

2) Causing the sins to leave the forgiven ones—“Give... forgiveness of sins”( Acts 5:31 ); “The Lord hath laid on him [Christ] the iniquity of us all”( Isa. 53:6 ); “Himself [Christ] carried up our sins in His body onto the tree [the cross]”( 1 Pet. 2:24 ).

In the New Testament the Greek word for forgiveness means “causing (it) to leave” and “sending away. ” When God forgives us of our sins, He not only eliminates our record of sin before Him but also causes the sins which we have committed to depart from us. This is because, when God made the Lord Jesus our offering for sin on the cross, He laid all our sins on Him that He might carry them for us. Furthermore, when God caused the Lord Jesus to carry our sins on the cross to suffer God’s judgment and punishment in our place, He also caused all our sins to be laid on Satan that he should bear them forever. This is revealed in type in the atonement recorded in Leviticus 16 . Sin came from Satan and was passed on to us, resulting in our having a record of sin before God. God put all our sins on the Lord Jesus that He might carry them all to suffer God’s punishment for us and cancel our record of sin before God. Having done this, God gave all our sins back to Satan that he might bear them himself. In this way, God is able to forgive the sins of the forgiven ones and cause their sins to leave them. “As far as the east is from the west, so far hath he removed our transgressions from us” ( Psa. 103:12 ).

3) Forgetting the sins of the forgiven ones—“I [God] will be propitious to their unrighteousnesses, and their sins I will by no means remember anymore”( Heb. 8:12 ).

When God forgives the forgiven ones of their sins, He also forgets their sins. When God forgives our sins, He not only cancels our record of sin and causes our sins to depart from us, but in Himself He also forgets our sins. Once He forgives us, He erases our sins from His memory and will by no means remember them anymore.

B. The Basis for Forgiveness of Sins

1) “Without shedding of blood there is no forgiveness”( Heb. 9:22 ).

God’s forgiveness of sins is based on the shedding of blood for redemption. Because He is righteous, God cannot forgive men’s sins without a cause. His righteousness requires that all who sin must die ( Ezek. 18:4 ). Unless His righteous requirement is satisfied, His righteousness cannot allow Him to forgive sinners of their sins. But since the Lord Jesus died and shed His blood on the cross according to the righteousness of God, thus satisfying God’s righteous requirement, God can legally forgive men of their sins according to His righteousness. The Lord Jesus said, “This is My blood of the covenant, which is poured out for many for forgiveness of sins” ( Matt. 26:28 ). Since the blood of the Lord Jesus was shed for men according to God’s righteousness, thus fulfilling God’s righteous requirement, it has become the basis upon which the sins of those who believe in Him may be forgiven.

Life Lessons, Vol. 4

Lesson 38 (LSM)

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熊嘉文

亚淡, 马来西亚, Malaysia

juin 25, 2025

很好听

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Benbella

Gulu, East Africa, Uruguay

août 6, 2023

This song heals me completely.

It calls me home to the saviour. So melodious.

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Ana Lara

Storrs, Connecticut, United States

févr. 8, 2022

The words to this hymn were first written by Elisha A. Hoffman (1838-1929). This song gives glory to God for saving us through the cross of our Lord Jesus Christ who died and cleansed us from sin by His blood being applied. In his lifetime he wrote over 2000 gospel songs and about 13 publications.

Susan M. Orwig Hoffman was his wife (1844-1876). She graduated from Union Seminary, New Berlin, Ohio, in 1862, the youngest member of her class. They were the parents of Ira Hoffman.

At age 9, Ira is said to have written the music for his father’s song “A Little Pilgrim. ” And as an adult he was a composer, arranger and music editor.

Aaron Orwig, Susan’s brother, was also a hymn writer and publisher. The town of Orwigsburg, Pennsylvania, is named after their family.

The music was composed by John Hart Stockton. He was born April 19, 1813, New Hope, Pennsylvania and died March 25, 1877, Camden, New Jersey. He was buried in Laurel Hill Cemetery, Philadelphia, Pennsylvania. John was the husband of Ann Stockton. He converted at a Methodist camp meeting in Paulsboro, New Jersey and was ordained in 1832. He served in the New Jersey Conference of the Methodist Episcopal Church and was known to be an active evangelist.

His wife Ann (1821-1897), wtote the hymn, “Child Your Father Calls, ” in 1875. The hymn is an invitation for a dear child to come home to his Father’s house; the coming home of a sinner by the cross to the Savior who waits for him. Mrs. Stockton dedicated the hymn to Chaplain Charles Caldwell McCabe (1836-1906).

As the American Civil War broke out, McCabe helped raise a regiment of infantry for the Union Army. By October 8, 1862, he was chaplain of the 122nd Ohio Infantry. He was captured by the Confederate Army and sent to the infamous Libby Prison in Richmond, Virginia where he served as a chaplain to his fellow prisoners. During his time as a prisoner of war, McCabe taught “The Battle Hymn of the Republic” to other prisoners in order to maintain high spirits, and was later invited to the Lincoln White House because of his actions. Ill health forced him to resign his chaplaincy, January, 1864.

He is known as Methodism‘s “singing chaplain. ” From coast to coast he sang “We’re Building Two a Day, ” a song written in response to the charge that the church was dying out, made by Robert G. Ingersoll, a widely known agnostic of the day. McCabe fell ill in New York City after a fundraising trip to the Methodist Episcopal Church of Torrington, Connecticut and died in a New York hospital. He wrote around 20 publications.

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Yangu Godfrey Alibe

Arua, Uganda

nov. 26, 2021

I love the melody and it surely heals my soul.

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Wisdom Innocent Aluu

Aba, Abia, Nigeria

juin 21, 2021

All glory and honor be unto His name alone.

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Grace

Lagos, Nigeria

oct. 16, 2019

I'm so excited today. I have been looking for this lyrics though I still want the lyrics especially the one Donnie McClurkins sang.

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Jeff Pezos

New Brunswick, New Jersey, United States

oct. 6, 2019

Amen brothers and sisters.

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