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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

與神和好

追求與長進

Chinese458
1
我本世人與你為敵,
棄絕你恩漠視你意,
有人對我講你心腸,
要我歸回滿你切望,
而我總是置之不理,
引我回家,真是不易。
2
等我歸來得見你面,
纔知救恩如此完全:
如蟲世人成為信徒,
不過與你和好初步,
直到你我聯調為一,
纔是與你和好極地。
3
一重幔子我已經過,
歡然來到你的聖所,
二重幔子雖已裂開,
我的經歷仍是不逮,
但你卻要引我進入,
至聖所在,享你供輸。
4
和好還是完全分別,
離棄不法,除去不潔,
肉身和靈一切污穢,
需你榮光如同雨沛,
盡都洗去,洗得盡淨,
每一部分完全成聖。
5
拯救之日,悅納時候,
要我與你和好無隔,
我願竭力靠你大能,
奔這“完全和好“路程,
你的恩典不致徒受,
你的救恩我能全得。
6
當我看見你的心意,
你所要我到達境地,
我又羨慕,我又驚懼,
依我能力我怎能及?
求你作工用你恩典,
使我不住,不住向前。

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