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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

基督是我們人位

靈與生命

Chinese131
1
我的舊人已經被廢除,在十架上已與主同死;
現在他再無任何用處,對我他已故。
我的新人在我靈裡住,在我裡面如活井湧出,
以祂豐盛生命來充滿我的每一部。
基督在我靈裡作人位,我心天天向祂不別歸,
好讓裡面的人有個家:一個地方可以安息,
一個地方成為祂的─
那裡是我完全的實際,將祂所是向我全開啟,
豐豐富富居住我心裡,作我真人位。
2
藉這人位成形在我裡,我成祂身上的一肢體,
所有行動都不再單獨,全在配搭裡。
基督必須是我們人位,我們天然個性須拆毀,
天天拆毀直到拆乾淨,基督作一切!
惟有基督是我們人位,再無自己的願望目的,
直到召會是基督自己,建造成為一個新人,
實現神的永遠旨意─
神人完完全全的調和,得到一個合式的居所,
建立起祂國度的權柄,在這全地上。
不是單單基督的自己,還有召會同配合為一,
取用基督自己作一切,成一個新人。

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