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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Through God’s word, my hope at His returning

Comfort in Trials By God’s Sovereignty

New Tunes1210
1
Through God’s word, my hope at His returning
Is that all my being be redeemed;
Yet in times of grief and tribulation,
Doubt and fear arise, no hope is seen.
In those hours, when prayer cannot be uttered,
Only groaning from my breast is heard.
Then the Spirit, in like manner, helps me,
Praying in my weakness unto God.
2
Lord, my prayer is not for deeper suffering,
But that from each trial I’d be free.
Let the cup of bitterness be taken;
Yet, Thy will, not mine, dear Lord, must be.
Even now, though trials sore surround me,
Still within my heart there is a peace,
For the love of God outpoured within me
Floods my heart and bids my doubting cease.
3
Blest assurance! God has fully ordered
Every matter by His sovereign hand;
Every person (though we see so dimly),
Every thing’s according to His plan.
Every trial is but the Father’s answer
To the groaning of the Spirit’s prayer;
May He gain in every tribulation,
Until we Christ’s glory fully share.
4
How could God from all His dealings spare us,
After He spared not His only Son?
Could the Potter’s hand upon the vessel
Ever leave the shaping work undone?
For the center of God’s heart’s desire
Is that many brethren we will be
Unto Christ, His precious First-begotten,
And to Him, conformed we’ll fully be.
5
Heirs of God! Joint-heirs with our Lord Jesus!
What a hope of glory this for us!
Though the suff’rings presently seem grievous,
Greater far the glory then for us!
Yea, in all these things we more than conquer,
Through the One whose love has us possessed;
Soon the day for which waits all creation,
When the sons of God are manifest!

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Tian

CA, United States

Oct 4, 2025

Couple other of my favorite hymns by Ned: "God Eternal Has a Purpose", "Never did I Dream Before". Thank you for such beautiful, genuine, and experiential hymns.

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Frank Scavo

Irvine, CA, United States

Jul 15, 2025

This beautiful hymn was written by Ned Nossaman over 40 years ago. He originally wrote it to the tune, "Day by Day and with Each Passing Moment." Ned is still with us, and I meet often with him. I recently played this new tune for him, and he was so happy with it. Thank you brothers and sisters!

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Lisa Shelter

Memphis, TN, United States

May 4, 2025

How can we expect that we not suffer when God didn't spare His only Begotten Son ?

We must pass through the trials and tribulations to be perfected into His image. What a blessed hope that we can be transformed and conformed into His image ?! What glory this for us! 😊

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Jack Petrash

Irving, TX, United States

Mar 26, 2025

How our Father delights in His
children's loving faith and absolute
trust in Him!

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Jaspery

San Diego, CA, United States

Jun 1, 2020

In these days of doubt, fear, trial, tribulation, and sufferings, may we learn to see God's will and join ourselves to His heart's desire. May He raise up some who would persevere in prayer by faith through all the chaos and confusion. Despite the wearing-down tactics of the evil one, we can be victorious because we have the Overcoming One in us. We can be assured for the hope of glory at His return. May we be those who eagerly await His coming back. Hallelujah! Jesus is Lord!

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Nelson K

Anaheim, CA, United States

Nov 10, 2019

Yea, in all these things we more than conquer,

Through the One whose love has us possessed"

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Cathy

Boise, Idaho, United States

Jul 12, 2019

This hymn is such a rich portrayal of the inner life of a lover of the Lord. Through all of life's events, one's eyes remain on the vision of the Lord's ultimate goal, assured that every aspect of one's life is in His sovereign hand and that each experience results in more of His life dispensed into our being. Hallelujah for such a vision and such a life!

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Marieth

Houston, Texas, United States

Mar 6, 2019

Lord, my prayer is not for deeper suffering,
But that from each trial I’d be free.
Let the cup of bitterness be taken;
Yet, Thy will, not mine, dear Lord, must be.
Even now, though trials sore surround me,
Still within my heart there is a peace,
For the love of God outpoured within me
Floods my heart and bids my doubting cease.
A good stanza to pray-read with!

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Marieth

Houston, Texas, United States

Nov 15, 2018

Yet in times of grief and tribulation,
Doubt and fear arise, no hope is seen.
Then the Spirit, in like manner, helps me,
Praying in my weakness unto God.

This Hymn makes me cry all the time. We have a mingled spirit, praise the Lord for our mingled spirit!!!

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Ke

United Kingdom

Aug 23, 2018

Yet, Thy will, not mine, dear Lord, must be!

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