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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Dear Lord Jesus, precious Jesus

Experience of Christ Loving Him

New Tunes1158
1
Dear Lord Jesus, precious Jesus,
Thou hast won each love from me;
Who like Thee—so fair and comely?
Who like Thee—so sweet and lovely?
Matchless One, unrivaled beauty,
None can e’er compete with Thee!
2
Dear Lord Jesus, precious Jesus,
Gladly will I hear Thy call;
Since Thy voice my heart hath entered,
I from all things could but sever;
Void are all my other seekings,
Every pride hath disappeared.
3
Dear Lord Jesus, precious Jesus,
How can I still stubborn be?
At Thy feet cast all my hard’nings,
And return with songs and singings;
’Tis my love to be Thy bondslave,
’Tis my joy to Thee obey.
4
Dear Lord Jesus, precious Jesus,
Thy way only will I choose;
Though in tears while I’m obeying,
Yet I would not change my standing;
All I long for is Thy pleasure,
And the peace Thy love would bring.
5
Dear Lord Jesus, precious Jesus,
When Thy presence does depart,
Seems the dawn has lost its traces,
Hidden are my smiling faces;
All I yearn for is Thy coming
And Thy presence’ sweet embrace.
6
Dear Lord Jesus, precious Jesus,
Can I tell it all to Thee?
Thou my love and satisfaction,
Thou my everlasting portion;
Thou art all that I desire,
Nothing else I would pursue.
7
Dear Lord Jesus, precious Jesus,
All I have I give to Thee;
Who like Thee—so fair and comely?
Who like Thee—so sweet and lovely?
Matchless One, unrivaled beauty,
None can e’er compete with Thee!

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Jeramil

Ozamiz City, Misamis Occidental, Philippines

Aug 30, 2011

When I hear this hymn, it reminds me that my love is a "because" love. I love Him because He first loved me. 'Tis the joy to be His bondslave.

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John Carbrey

Toronto, Ontario, Canada

Aug 27, 2011

There is nothing I enjoy more than singing this song intimately with my Lord.

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Muelz

Iligan, Lanao Del Norte, Philippines

Aug 18, 2011

Thou hast won each love from me! Oh Lord.

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M.E Ang

Calgary, Alberta, Canada

Jul 18, 2011

Oh Lord Jesus! Thank You for everything You have for me, I Love You!

Matt. 27:51

"Behold the veil of temple was torn in two from top to bottom."

Lord, You died for me, Your enemy! Oh Lord I praise and glorify You! I love You!

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Armand Tongo

Caloocan City, NCR, Philippines

May 4, 2011

You're my love and satisfaction, You are my everlasting portion. How we love Thee. Oh Lord Jesus!

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Sandra Haley

Humboldt, Tennesse, United States

Mar 29, 2011

The Emollient Glow of the Anointing is strongly on this song, this tune. Such peace and calming of my soul, beautiful so beautiful is the love and peace of the Father. Why fear or be troubled with knowing God's rich love and protection.

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A. Cui

Massachusetts

Feb 5, 2011

Every time I come to this hymn, I am reminded again of the Lord's presence and love for me. His love is so great, that He died on the cross for us. It is lustful to pursue anyone else's love. God's love for us is enough, since it is wider than the ocean and deeper than the sea. Let us love the Lord with our first love!

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Mariam

Yerevan, Armenia

Jan 29, 2011

I love this hymn very much. I first sang it a few weeks ago in a YP meeting. It touched me very very much. Especially I liked this part:

'Tis my love to be Thy bondslave,
'Tis my joy to Thee obey.
Dear LORD JESUS I love YOU very much!

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S. M

United States

Jun 15, 2009

Dear LORD JESUS, PRECIOUS JESUS. This song speaks of how precious You are to us even in our trials and tribulations. Oh Lord Jesus, Precious Jesus how sweet the name oh to call. Oh Lord Jesus, precious Jesus. Thank You Lord we can call on Your precious name. Oh Lord Thou art my everlasting portion, oh matchless one, oh Lord, my love and satisfaction. Oh Lord praise You, for You came to be our portion. You gave all to gain us. Oh Lord by Your mercy and grace may we gain You each day.

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Ranjit Cheryan

Kottayam, Kerala, India

May 22, 2009

This song is really touching and marvelous. Jesus Christ is great.

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