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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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極深奧祕,莫測大愛

愛慕耶穌

Chinese6c
1
在浩瀚宇宙間,隱藏極深奧祕,
是神智慧經論,遠超人智所及。
照著聖言啟示,神願與人合一,
是神聖羅曼史,顯明祂愛至極。
 
哦,神莫測大愛,祂竟成人,過人生,
釘死、復活,成那靈,將人聖別、重生。
人竟成祂配偶,有祂生命、性情,愛裏作他擴增,
神、人合一,聯結、調和且合併—聖城撒冷!
2
世人眼瞎心盲,將祂藐視欺侮;
祂在不移愛裏,卻來尋找、眷顧。
祂是神成為人,祂名稱為耶穌,
是神來作救主,是神與人同住。
3
我陷罪惡桎梏,祂來將我救贖;
釘死償我罪債,復活作我永福。
祂、我聯結為一,我們同入同出;
我得享祂富足,將祂恩愛流露。
4
祂愛何等甘美,引我向祂倚投;
耶穌 -- 馨香的名,我愛不住呼求。
得着宇宙至寶,我心夫復何求?
只願愛祂、事祂,與祂同樂同憂。

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Anonymous

Nov 2, 2024

得勝新婦

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Kuo

Taipei, Taiwan

Mar 12, 2021

雅歌書ㄧ章ㄧ節註1:

在偉大的王所羅門與鄉村女子的羅曼史中,(5~8,)因著二者並不相配,王就成了“鄉村男子,”好去鄉下追求她,得著她的愛。一面,王使自己成為與鄉村女子一樣;另一面,王使鄉村女子成為王后。這豫表神與人的羅曼史。神這位丈夫是神聖的,祂想要娶的妻子卻是屬人的;二者並不相配。神為了滿足自己的心願,就成為肉體穿上人性,成了一個卑微的人,並以戀愛的方式接觸人。然後祂在復活裏,按聖別的靈,以神的大能,將祂的人性拔高到祂的神性裏,祂就在祂的人性裏被標出為神的兒子。(羅一3~4與註。)今天祂這位宇宙的新郎乃是神人,兼有神性和人性。為了使祂的新婦、妻子,與祂一樣,祂就重生祂所揀選的人,將神性放在他們的人性裏,並將他們的人性拔高到神性的標準。(彼前一3,23,約三6。)祂重生他們以後,又使這些愛祂的尋求者,逐漸在魂裏得著變化,至終使他們的身體改變形狀,直到他們全人與祂在生命、性情、形像、和功用上一模一樣,只是無分於祂的神格。(羅十二2,林後三18,腓三21,約壹三2。)雅歌裏的羅曼史,描繪尋求基督者所經過的過程,好成為書拉密女,就是所羅門的複本,也是新耶路撒冷的表號。

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Kate

Sep 16, 2020

在浩瀚宇宙間,隱藏極深奧祕,
是神智慧經論,遠超人智所及。
照著聖言啟示,神願與人合一,
是神聖羅曼史,顯明祂愛至極。
哦,神莫測大愛,祂竟成人,過人生,
釘死、復活,成那靈,將人聖別、重生。
人竟成祂配偶,有祂生命、性情,愛裏作他擴增,
神、人合一,聯結、調和且合併 -- 聖城撒冷!
世人眼瞎心盲,將祂藐視欺侮;
祂在不移愛裏,卻來尋找、眷顧。
祂是神成為人,祂名稱為耶穌,
是神來作救主,是神與人同住。
哦,神莫測大愛,祂竟成人,過人生,
釘死、復活,成那靈,將人聖別、重生。
人竟成祂配偶,有祂生命、性情,愛裏作他擴增,
神、人合一,聯結、調和且合併 -- 聖城撒冷!
我陷罪惡桎梏,祂來將我救贖;
釘死償我罪債,復活作我永福。
祂、我聯結為一,我們同入同出;
我得享祂富足,將祂恩愛流露。
哦,神莫測大愛,祂竟成人,過人生,
釘死、復活,成那靈,將人聖別、重生。
人竟成祂配偶,有祂生命、性情,愛裏作他擴增,
神、人合一,聯結、調和且合併 -- 聖城撒冷!
祂愛何等甘美,引我向祂倚投;
耶穌 -- 馨香的名,我愛不住呼求。
得着宇宙至寶,我心夫復何求?
只願愛祂、事祂,與祂同樂同憂。
哦,神莫測大愛,祂竟成人,過人生,
釘死、復活,成那靈,將人聖別、重生。
人竟成祂配偶,有祂生命、性情,愛裏作他擴增,
神、人合一,聯結、調和且合併 -- 聖城撒冷!

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Matt Chen

Bangkok, Thailand

Jan 26, 2017

This was the translation that I used to sing
一個極大奧秘,神聖愛情故事,
歷史歷代隱秘,今已完全揭示。
神與人羅曼史, 從時間就開始,
超越人能解釋,藉神話語得知。
神愛上我依依,這愛全能無及,
在生命性情裡使我與祂是一,
作祂團體彰顯,新婦擴增表現,
愛中與祂為伴,合一無間宇宙對偶結聯直到永遠。

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Mario

Hong Kong

Feb 15, 2015

Solomon snd his bride

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maria chueh

Alhambra, CA

Sep 9, 2014

I have been looking for the Chinese translation of this English Popular song!

Thank you that you made it!

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