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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

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1
黑夜已深,船在海中,
因風不順,搖櫓甚苦;
路程還未達到路終;
到底是忠心或降服,
尚有危險;尚有可能變節。
 
神的召會奮發回轉,
與神交通合祂意圖;
寜可苦也絕不飄流,
走神所命令的道路。
2
當初因受愛的激動,
總覺還有力量支持;
現在好像太久太累,
放鬆一下,冷淡一時,
這比任何試探更難勝過。
 
別人經過流血的海,
仍然忠心守貞不歇;
別人既然逆風向前,
我們豈能退後變節。
3
主來前夕有種空氣:
異常貪求神禁事物,
壓制心境使靈疲弱,
出奇歡喜娛樂風俗,
出奇沒心無力來傾向神。
 
愛主的人,征途將盡,
奮勇討伐背道趨勢;
既然愛主忠誠迄今,
何不與主同行一世。

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