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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
Rain on me; rain on me;
Let Your mercy rain on me;
It is not by willing or by running, Lord;
Let Your mercy rain on me.
2
Reign in me; reign in me;
May Your life, Lord, reign in me,
By Your grace abundant and Your righteousness;
May Your life, Lord, reign in me.
3
Overcome, overcome;
Lord, I pray to overcome,
By the Spirit sevenfold intensified;
Lord, I pray to overcome.
4
Grow in me; grow in me;
For the Body grow in me,
Through the rich dispensing of Your life supply;
For the Body grow in me.
5
Transform me; transform me;
For the Body transform me;
I behold Your glory with an unveiled face;
For the Body transform me.
6
Lord, gain me; Lord, gain me;
In the Body, Lord, gain me,
For the full expression of the Triune God;
In the Body, Lord, gain me.
7
Lord, blend me; Lord, blend me;
In the Body, Lord, blend me,
For the consummation—New Jerusalem;
In the Body, Lord, blend me.

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JB

Anaheim, CA, United States

Aug 30, 2026

Stumbled upon this song again and the Lord spoke to me through this hymn and through the week's Morning Revival (03/2026 ITERO wk. 3). God desires a corporate Body to express him for his dwelling place and satisfaction. We are first individually drawn to the Lord by his mercy. We then experience the Lord's reigning and overcoming life. Eventually, we realize our living should not be individualistic and for ourselves, but to live for the Body and in the Body. This requires us to grow in the divine life and deal with our flesh, self, and natural constitution. In this way, we can minister life to the Body according to our consciousness of the Body.

Lord, save me from the narrowness of my self. Grant me the experiences to grow in life and to know the Body. Grow in me, transform me, gain me, and blend me for your Body and your full expression.

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Selene Leyva Hernandez

Fort Stockton, TX, United States

Apr 5, 2025

Lord grow in me to be a Corporate member, taking responsibility and using my function for Your glory!

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Km

Basking Ridge, New Jersey, United States

Mar 6, 2025

For the Body, Lord, grow in me. In the Body, Lord, gain me!

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Tl

Sep 28, 2023

Let Your mercy rain on me...

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Jeffrey

California, United States

Nov 23, 2019

It is not by willing or by running, Lord;

Let Your mercy rain on me.

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Rebecca Berglund

Salem, OR, United States

Jun 2, 2018

I was introduced to this song several years ago; at that time it was my daily song/prayer. Recently this song has been coming up frequently as a fresh supply in my being, so that even after the years I have known the Lord living in me, my heart's cry is still, "Grow in me."

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Nelson Liu

Irvine, CA, United States

Nov 1, 2014

Lord, grow in me!

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Rosita Enriquez

Anaheim

Jul 16, 2013

Does anyone have the Spanish, Portuguese, French, German, Italian, Russian version of this song....or can give us a translation that fits the tune. Thank you.

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Suzana Santos

Goiania, Goiás, Brazil

Mar 27, 2012

Realmente que o Senhor cresça em nós, transforme-nos PARA e PELO CORPO. Que o Senhor nos dê um interior sincero para que tudo que anelemos seja CRISTO e que todos nossos desejos e anelos sejam para edificação do Corpo, que não reste nada de nós mesmos e sim Cristo tome posse de tudo em nós. ALeluia!! Cristo é maravilhoso!! Ó EU AMO A CRISTO!

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Svetlana Sekerina

Giessen, Germany

Oct 12, 2011

It is a perfect example of daily prayer!

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