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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Take me Lord, and fill me with Your dear Self

Experience of Christ Loving Him

New Songs396
 
Take me Lord, and fill me with Your dear Self,
Till my whole being is one with You.
Lord, I’m willing to open to You
Every moment in my life;
Fully trusting You, to live Your dream
For Your rest and expression.
 
Beside You I have no one
In heaven or on the earth.
To You, dear Lord, I give my all.
I will not let You go.
Make Your desire my heart’s desire
For our goal, the New Jerusalem.

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Par Dono

Malang, Indonesia

May 22, 2016

Take me Lord, I love You, amen.

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Angela Oliva

Irvine, CA, United States

Apr 21, 2016

I love you dear Lord! Keep us continually in Your presence to make Your desire my heart’s desire

For our goal, the New Jerusalem!

Read more
H3r@

San Jose, California

Mar 1, 2016

It is hard sometimes to have a trusting heart for the Lord when it seems like our surrounding is unpromising, the future is just like a piece of puzzle....never know what and where it is going to be, when people arounds us are not doing so well, I just want to cry out," oooo Lord... why?" But I know deep down inside my heart, the Lord is a living Lord. He knows what is He after. Despite of all things, his love will continuously constraining us and His mercy and grace will be us. And this hymn reminds me to fully trust in Him in all things despite of all things. Lord gains my trust in You. Amen...

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Sehoon Kim

Seoul, South Korea

Aug 16, 2015

Take me Lord. I love You. I trust You.

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Maryqueen

Cagayan De Oro City, Misamis Oriental, Philippines

Feb 24, 2015

It's easy to say that beside You Lord I have no one in heaven but it's hard to say that beside You Lord I have no one on the "earth". Lord, by Your grace and mercy, oh, fill me with Your self more. Lord cause me to be willing to let You come in and do Your working within me. Apart from You Lord I can do nothing. I can't trust myself that's why I need You most. May Your desire be also my desire Lord.

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Chun Wang

Dallas, Texas, United States

Dec 9, 2014

Lord, make Your desire my heart's desire, wreck all my dreams, and let me live only for Your dream!

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Igor Savinkin

Riga, Latvia

Oct 17, 2014

I realize how important for me to be taken away from my self and be filled with this precious Person. In a sense I'm tired of my self-protection, cause of lack of openness and trust to Him. "Lord, You produce in me both willing and working to open to You, not to protect my poor self". How sweet, stable and secure is to be one with Him. It's there where we take part in living out and working out of His desire.

"Take me Lord", "fill me with Your dear Self"

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Jissa Mae Tahud

Ozamis City, Misamis Occidental, Philippines

Jul 30, 2014

It really touches my low and deadened heart. During those times when I am weak it reminds me to still go on... thank You Lord for You are always reminding us to stay in Your realm. Beside You I have nothing and can do nothing.. despite of being low in heart I'm trying to function as a normal Christian in fulfilling Your goal the New Jerusalem, so fill me with Yourself, Lord.

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Berchelle Maglasang

Abu Dhabi

May 14, 2014

Lord, make us those who are one with Your desire.

Truly apart from You we are nothing and less than nothing.

Whatever we do, wherever we go it should be for Your glorious expression.

Make us those who are one with You in building up Your Body which consummates in the New Jerusalem.

I LOVE YOU MY DEAR LORD JESUS!

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Rishie

Glen Innes, NSW, Australia

Feb 23, 2013

To You, dear Lord, I give my all.
I will not let You go.
Make Your desire my heart’s desire
For our goal, the New Jerusalem.

O yes Lord, make your desire my hert's desire and help us all to press on to the goal of the new jerusalem, being with You for eternity. Amen.

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