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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus Lord, my best love Thou art

Experience of Christ Loving Him

New Songs351
1
Jesus Lord, my best love Thou art,
Thou hast fully captured my heart;
None compares with Thee, none on earth or heav’n,
God yet man, most beautiful One!
How I longed to vanish in Thee
When Thy tender voice came to me.
All past loves forsaking most joyfully,
I’d just love Thee — wholeheartedly.
 
Who in all the world is as fair as Thee?
Or who else can love so romantic’ly?
Oh, most holy One, now You live in me!
Jesus Lord, I deeply love Thee!
No more trusting self, nor deceived I’d be;
I’d put off my self, just be filled with Thee;
Oh, let all apart from Thee fade and flee;
My one love, my best love, is Thee.
2
Jesus Lord, my best love Thou art;
I was once rebellious and hard,
But I drop it all now to come to Thee,
Self forsake, that like Thee I’d be.
When I live, be it Thou, I pray,
Not self’s will, but God’s I’d obey;
To Thine heart attuned, Thy delight I’d seek;
No more struggling, fully at peace.
3
Jesus Lord, my best love Thou art;
We two never, ever will part;
Thy dear presence is all my breath and might;
Thy dear smile is all my delight.
I would pour my heart out to Thee,
Love Thee, serve Thee, joined utterly;
My eternal portion, dear Lord, is Thee;
My one hope, Thy coming to see.

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Sister Vali

Tirane, Albania

May 19, 2021

Jesus Lord, I deeply love Thee!

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Cody Enderli

Austin, TX, United States

Dec 26, 2020

How I longed to vanish in Thee. Jesus Lord, my best love is Thee

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Barbara Rafter

Spokane, Washington, United States

Jan 12, 2020

The new words to this song are quite profound. It expresses another aspect of experiencing Christ. Lord Jesus, capture our heart.

The original words truly captured another avenue of experiencing Christ. Oh how my spirit would flow singing those words. Yes, please keep the original song available also for us to enjoy on Hymnal. net.

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Salvador Tarun Jr.

Alfred, New York, United States

Dec 30, 2019

This is sweet. But I miss the original version—there’s something particularly special and deep in it that always moves me. I hope you can still keep the original song for us to enjoy in the LORD. Thank you!

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Alan Baier

Chula Vista, California, United States

Dec 27, 2019

Hallelujah, we really enjoyed this hymn when it first came out, but what an upgrade, Hallelujah for the Lord's recovery!

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Lamelo Ball

Chino Hills, CA, United States

Sep 6, 2019

Amen every time I sing this hymn it really puts me in the Feels. PTL There is none in heav'n nor on earth like Thee, With Thy beauty none can compete.

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Nancy Northrup

Crescent City, CA, United States

Aug 20, 2019

Are lyrics available for the version of this song that is on the 2015 NYCYP CD How Lovely is Thy Dwelling Place? These lyrics are similar, but different. Jesus Lord, my best love Thou art!

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Abraham D

United States

Jul 3, 2019

Who in all the world is as fair as Thee?
Or who else can love so romantic’ly?
Oh, most holy One, now You live in me!
Jesus Lord, I deeply love Thee!

Read more
Nataly

Lima, Peru

May 1, 2019

Wonderful! Oh señor Jesús, gracias por tu iglesia!

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Toyin Diyan

London, United Kingdom

Apr 4, 2019

Jesus my best love Thou art!

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