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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Buried? Yes, but it is seed

Service By being Buried

New Songs297
1
Buried? Yes, but it is seed
From which Continents may feed;
Millions yet may bless the day
When that seed was laid away.
2
Buried! hidden! out of sight!
Dwelling in the deepest night;
Losing, underneath the sod,
Everything, except its God.
3
Buried, unremember’d, lost
So thinks man: but all the cost
God has counted to display
Life abundant one glad day.
4
Art thou buried? God’s pure seed
Doth thy heart in silence bleed?
Change thy sighing into song,
Thus alone can harvests come.

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Zhou Wu

Auckland, New Zealand

Oct 11, 2017

Buried? Yes, Jesus, the true Hebrew rejected by His own kin. Buried? Yes, Watchman Nee, who received the rejected One, to whom Jesus gave the authority to become a child of God, because he had believed into His Name, born a sinner, but was faithful unto death, rejoicing in the Lord to his dying day. Rejected, forgotten, unknown by almost all of his more than one billion strong kindred according to the flesh, cruelly locked up and left to die by those without knowledge, not knowing what they were doing or what they had done. Of whom I was one, approving of the murder of all Christians, foreign or Chinese, for the sale of opium. Yet, today, I repent. This man was righteous. I was unrighteous. I treated him as an enemy, but he, though not knowing me and dying before I was born, lived, suffered and died for the sake of ingrates like me, so that even I, who's heart is often drawn astray by the perishable beauty of God's creatures, may be saved and to come to the full knowledge of the truth of the gospel. I repent in dust and ashes. May the fire of God consume me as a burnt offering. My life of sin must go. Christ must come. I am a sinner, born in sin, filled with sin and death. I have been baptised in water already. I await now the fire of God to consume all that's left of my profanity, and reduce me to the mingled spirit, which can finally join my Lord, that I may sin no more, in either my thoughts, my words, or my deeds. Amen.

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Meron

Oslo, Norway

Jan 4, 2016

Indeed buried, but a seed to feed millions. What a life blessing. Praise the Lord!

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Grant Commons

Romford, Essex, United Kingdom

Jan 4, 2016

How thankful I am one of God's chosen and called ones, beautiful seed of Christ, Amen.

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Lennart Kohala

Estonia

Feb 12, 2011

How wonderful it is to be buried with Christ to be broken so as to bring forth His rich life. Thank You Lord, for breaking me more and more!

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Rebecca Berglund

Eugene, Oregon, United States

Oct 29, 2009

How could the writer know that her experience, so one with her Lord, was just as a little seed, hidden, buried in China, and that one day this little faith would multiply into millions of seeds of Christ, of which I am one! How grateful I am to that little seed!

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