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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Praise the Lord! The God of glory

Hope of Glory Blessed Hope

New Songs225
1
Praise the Lord! The God of glory
Who appeared to Abraham
Has appeared to us in spirit
For His purpose and His plan!
God of glory, God of glory,
Do appear to us today,
Saturate and permeate us
Till You fully have Your way.
2
Once we were in old Chaldea,
Worshipping the idols there;
But the God of glory called us,
Saved us all from Satan’s snare.
Get out, get out, from Chaldea,
From that evil foreign land.
Come in, come in, to the good land,
Christ, the church, the one new man.
3
With the calling comes the promise
Of the kingdom life on earth.
This becomes our strength and motive
To get out of all the dearth!
Lord, we’re crossing every river—
For this You must call us on,
Till Your kingdom and expression
On this earth are fully come.
4
This is now the highest gospel
To those still in Chaldee’s land—
Leave the fallen situation,
You’ve been chosen for God’s plan.
God of glory, God of glory,
Do appear to us each day,
Call us out into Your building,
Your desire on earth today.

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Brian Francique

Franklin, NJ, United States

Jan 13, 2018

Praise the Lord for His desire!

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Daniel Chen

Franklin, NJ, United States

Jun 3, 2017

God has a desire! He desires a building! Build us up together daily, Lord!

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Rebecca

Salem, Oregon, United States

Oct 19, 2015

The dear sister who wrote this hymn is right now in the hospital, maybe ready to meet anew her God of glory! May her spirit and the flavor of glory that so inspired this song permeate the hearts that sing this, being made ready for the God of glory to appear to them!

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Mary Ha

Mar 29, 2015

God of glory, God of glory,
Do appear to us today,
Saturate and permeate us
Till You fully have Your way.
From that evil foreign land.
Get out, get out, from Chaldea,
Come in, come in, to the good land,
Christ, the church, the one new man.
Lord, we’re crossing every river—
For this You must call us on,
Till Your kingdom and expression
On this earth are fully come.
God of glory, God of glory,
Do appear to us each day,
Call us out into Your building,
Your desire on earth today.

This is such an enjoyable hymn. This should be our daily prayer

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Moses

Fargo, ND

Apr 13, 2014

Praise our Lord the God of glory!!!

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Elmer Molejon

Oroquieta, Mis. Occ, Philippines

Nov 18, 2012

Amen, we're crossing every river. Lord You must call us on, till Your kingdom and expression on this earth fully comes...

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Steven

Nov 3, 2012

Amen.

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David Smile

Matupi, Chin, Myanmar

Oct 16, 2012

Once we were in old Chaldea,
Worshiping the idols there;
But the God of glory called us,
Saved us all from Satan's snare.

Read more
Jimmy

Tangerang, Banten, Indonesia

Jun 13, 2012

Amen. He has called us from Chaldea to the promised land.

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Felipe Salinas

Santiago, RM, Chile

Jan 18, 2011

This hymn was giving me strength today, since I'm experiencing prosecution from my own "Christian" parents for being in the recovery. Thank God He is everything to me, and we're enjoying Him daily (me, my wife and little baby Victoria). Praise The Lord I need to be more attached to Him now :)

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