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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Sometimes we’re caught in a world full of baits

Consecration Living for the Lord

New Songs219
1
Sometimes we’re caught in a world full of baits
Tempting us to live our lives contrary to Your aim,
But Your faithfulness and love and mercy
Always will remain;
Lord, turn us fully back to You again.
 
Lord, our whole being we give to You
’Cause You have bought us with Your blood
So we no longer live to ourselves,
But everyday our lives we live
To You alone, not to our own,
Your glory, Lord, will then be shown.
2
Sometimes we lean only on ourselves,
Thinking we can do things without asking for Your help,
But Your Spirit in our spirit’s
Working in and breaking through
To free us from the “self” and back to You.

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Eulalia Casongsong

Tel Aviv, Israel

Apr 27, 2024

... but Your Spirit in our spirit's
Working in and breaking through
To free us from the "self" and back to You.

Really the Lord is so patiently working in us with His faithfulness and love and mercy, He never discourage in us... and the chrus, is oùr appreciation to His blood on where the based of our consecration. He is worthy to gain us, replacing everything in us that is not of Him... that we could enjoy living Christ... O' Lord Jesus!

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Katharine Butterworth

Yelverton, Devon, United Kingdom

Aug 27, 2023

Conduct yourselves in a manner worthy of the gospel. Phil. 1 v 27

Yes, in spirit we can do all things through Christ who strengthens us.

Love this song. Thank you.

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Maria L.

Fremont, California, United States

Jun 25, 2020

Thank you Lord for your faithfulness, mercy and love always remain. Bring my whole inner being, my mind and emotion under your Headship. Turn me fully back to you again. I love you Lord Jesus!

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Anonymous

Feb 23, 2019

This week during work, this very hymn kept playing in my mind. Although at the time, I couldn't recall the lyrics to the hymn, the tune did stick. In particular, it was the melody of the chorus that kept looping inside my head. I'm thankful, lucky, and grateful that I was able to find the lyrics to this enjoyable hymn.

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Joshua Chang

Walnut, California, United States

Jan 20, 2018

Lord save us from doing anything apart from You! Keep breaking through our “self” and back to You!

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Shao Ching Lu (Dennis Lu)

Monterey Park, CA, United States

Jan 13, 2018

I call this song on the Lord’s table. Lord, turn me back to You! Amen.

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Chimham

Mariveles, Bataan, Philippines

Nov 11, 2014

Lord, turn us fully back to You again.

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Madelene I. Camacam

Santiago City, Isabela, Philippines

Nov 15, 2009

We can't deny the fact that the world tempts us constantly to live our lives contrary to the Lord's will, but I PRAISE HIM FOR HIS FAITHFULNESS, LOVE AND MERCY for not allowing me to turn my back to Him, but continually consecrate myself to Him and live by Him everyday. "Lord I long for Your presence always."

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