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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O glorious divine love

Consecration Attracted by the Lord’s Beauty

New Songs141
 
Since long before the world began,
In Your heart You longed for a Bride;
’Tis mutual dwelling, Your glorious plan;
With me e’er to abide.

Not knowing Your heart,
I sinned and thus should die;
Yet You shed Your blood to set me free.
You gave me Your life, to me drew nigh;
Wondrous love! We two one forever will be.

O glorious divine love! How can I fathom,
Higher than the sky, deeper than the sea;
It crushes death’s pow’r and Satan’s kingdom;
Nothing can compare with Your love to me
So fervid and so deep, so gentle and so true;
I’m in love, Lord, with You.

I give You my heart, my life and my soul,
Come suffering or joy whatever betide.
By Your boundless grace, I’ll lay down my all
To build up Your church, Your glorious Bride;
Your heart to satisfy, mutual abode we’ll be
In eternity.

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Roniel Palamos

Makati, Manila, Philippines

Jan 9, 2013

O Lord Jesus, Thank You for everything, Thank You for Your glorious divine love that You have given to us and thank you for making us Your bride (church) and setting us free from our sins, Every time I hear this song I'm always reminded that our Lord Jesus made everything for all of us. Thank You Lord Jesus, Amen.

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Joseph FitzPatrick

Billings, MT, United States

Jul 24, 2012

This is it! this is what God longs for. Lord consume our vision with such a true knowing of You and Your person. In our spirit!

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Jay Ar

None, Quirino, Philippines

Mar 28, 2012

I love this song, and I give it all to Him because He is our Savior all the time. We love You Lord.

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Thobo Mosinyi

Johannesburg, Gauteng, South Africa

Mar 1, 2012

Praise the living Jesus, bless the creators of this amzing website, now one can have their very own choir practice before Sunday. Awesome this is the best thing since sliced bread. :)

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Blessel Mae Bayawan Aguit

Cotabato, Midsayap, Philippines

Feb 27, 2012

Amen, praise the Lord for the glorious divine love. We're so thankful that we're blessed to have Him. Oh Lord, Amen, Hallelujah.

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Carol Clark

Pittsfield, MA, United States

Nov 23, 2011

This song is SO lovely. I lost a son this summer, and this hymn has come to mean so, SO much to me. Whoever the songwriter is, beautiful!

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Vhan Racho

Cainta, Rizal, Philippines

Jul 11, 2011

I like this very much. This is one of my favorite hymns. The more I listen to this I feel that the Lord is with me always.

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Bernadette S. Audije

San Pablo City, Laguna, Philippines

Jul 5, 2011

Praise the Lord. Through this hymn I am reminded of the Lord's love to me and His heart desire to build up the church for His Bride. This is His eternal plan. May the Lord be more gracious to me that I will remain in this vision and be one with His eternal plan. Come suffering or joy, whatever betide, I will always love You my Lord Jesus. Amen.

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Shekinah Leopoldo Elorza

Pagadian City, Baganian,Tabina,Zamboanga Del Sur, Philippines

Jan 28, 2011

Oh Lord Jesus! I love You. Oh Lord! I want to give my whole being to You. I want to offer my uttermost being that nothing else could occupy except YOU alone. This was my favorite song which really touches my heart. I really felt happy when listening to this song. It reminds me of my love towards the Lord and His great and eternal love for me. Lord Jesus, I love You!!!

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Anthony Calamaya

Tacloban,city, Leyte, Philippines

Dec 31, 2010

Amen, amen, amen! This song is a complete revelation of God's eternal economy!

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