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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, I give myself to You right now

Consecration Surrendering All to the Lord

New Songs116
1
Lord, I give myself to You right now.
I want to be occupied with You.
I leave all else behind
And concentrate my being on You alone.
Lord, You are my focus,
You are my goal,
Lord, I give myself to You right now.
Lord, You are my focus,
You are my goal,
Lord, I give myself to You right now.

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Jubilee

IL, United States

Nov 21, 2010

Our hearts are not always ready to consecrate, but when we can consecrate, we are the happiest person in the world!

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MARICAR BUTAD

Paranaque, Iloilo, Philippines

Aug 2, 2010

Amen! This song is so very nice and encourages us to give ourselves to the Lord and be His useful vessels for His economy. May the Lord touch us and have mercy on us. Amen! From young people in Paranaque.

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Melanie Paglalunan Gatos

GamagorishiPrefecture, Aichi-ken, Japan

Nov 1, 2009

LORD JESUS! Now I found the church meeting here in Japan, again I want to renew my consecration for your gospel work here. May You use me as a functioning member of Your Body. I consecrate my whole being for You alone, because You are my FOCUS and My GOAL. Praise You Lord there is a wonderful church life in the whole universe. Truly You are the living God walking in every locality. I don't want to be a Sunday goer or church goer every meetings but a fruitful Christian expressing You wherever I go. Living in You in my idle time and loving Your Word as my very sword to fight the enemy. Do preserve my love ones, my own family gained them for Your testimony. Take my life, and my everything to be use by You. Amen!

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Li Yen

Petaling Jaya, Malaysia

Jun 9, 2009

I love this song so much that it caused me to turn to my spirit deeper and deeper regardless of the situation I'm in without fail. And this song renews my consecration to the Lord for the FTTMY next Thurs. May He be my focus and my goal!!

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Clayton Wright

Mar 1, 2006

This is such a beautiful tune, and such an opportunity to open to the Lord. I love how the music moves me to tears, and I open to the Lord. Of course I should not rely on music to turn me to the Lord, but it has often been a rescue to sing to the Lord...from both my experience and another brother's experience.

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Ana Yeaman

Huntsville, TX, U.S.A.

Feb 24, 2006

Hallelujah! This song popped into my head as I was driving home from class, and I just turned to the Lord. It doesn't matter where we are, what we feel, how our circumstances have been arranged, we can give ourselves over and over to Him. Jesus is good!

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Ben

Canada

Jan 18, 2005

Yes, its a very good and touching hymn.. we should all give ourself to the Lord,let Him work on us and transform us to be the overcomers. Praise the Lord, the Lord is GOOD!!!

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Hii Kah Sing

Miri, Sarawak, Malaysia

Dec 27, 2005

Lord, i give myself to you right now, but not knowing that whether i had really given myself to You. Lord, remember me, at least, I have the heart to do so, and may You be joyful for my consecration.

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Paul Jimenez

Los Angeles, CA, U.S.A.

Aug 31, 2005

This song is so wonderful. I am able to leave all else behind for Him! Hallelujah! This song was sung with a group of young people from the Summer School of the Truth and it just made them want to be genuinely occupied with Him.

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Jennifer Ng

Anaheim, CA, U.S.A.

Jun 10, 2004

Lord, I give myself to You RIGHT NOW. Praise the Lord for RIGHT NOW. I love this song because no matter how I failed yesterday, last week, last month...I still have RIGHT NOW. We Christian don't have yesterday or tomorrow; all we have is RIGHT NOW. So what should we wait till tomorrow? We can give ourselves to the Lord RIGHT NOW!!

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