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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Let me stand behind You, Lord

Experience of Christ Loving Him

Long Beach Songbook1
1
Let me stand behind You, Lord.
Let me wash Your feet with my tears.
Let me wipe them with my hair.
Let me kiss them and anoint them
With the ointment.
 
I love You!
Jesus, I love You!
May I waste my all and life on You.
Let me pour the ointment pure
On Your head and on Your feet,
On You, most precious One
Because I love You.
2
Let me take a pound of ointment pure
Of great value to anoint Your feet
And wipe them with my hair
That the house be filled with the fragrance
Of the ointment.
 
I love You!
Jesus, I love You!
May I waste my all and life on You.
Let me pour the ointment pure
On Your head and on Your feet,
On You, most precious One
Because I love You.
3
Lord, they said if You were a prophet,
You should know who and what I am.
I’m a sinner that toucheth You,
A woman not worthy to anoint You.
 
But I love You!
Jesus, I love You!
You forgave me the most
now I love You, Lord, the most.
Let me pour the ointment pure
On Your head and on Your feet,
On You, most precious One,
Because You love me.
4
Let my love from my being wash Your feet
And my glory without wipe them too
Let me kiss them where the nails would pierce.
All my love, Lord, and glory I’ll waste on You.
 
I love You!
Jesus, I love You!
All my glory and love I pour
and waste on You.
Receive my ointment, Lord.
It’s all I have, dear Lord.
For You, most precious One,
Because I love You.

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Josh Huang

Urbana, IL, United States

May 16, 2015

Can someone post the Spanish lyrics or send it to me at least?

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Benjamin

Piscataway, NJ, United States

Jan 27, 2014

Good Evening, Lord Jesus! Thank You Lord for leading me today, I really am touched by Your appearance to me today Lord Jesus. Whatever happens, You are always by my side, but Lord, I always turn away from You. Lord forgive me. Lord Jesus, I turn to You at the end of the day. Lord You give me a new beginning. Let me stand behind You, Lord! Lord, I love You, kiss me Lord!

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Rosita Enriquez

May 15, 2013

O Lord Jesus we love YOU!

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Amie Howe

Lansing, Michigan, United States

Jan 15, 2012

Lord, thank You that Your love sees beyond my wrongs and You're always in the position to forgive me. Thank You Lord for loving me so much.

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Abel Park

Ningbo, Zhejiang, China

Jan 7, 2012

How sweet Your love it is!

What a deep and wide Your love it is!

Although, I call the name of the Jesus, and do pray-reading almost everyday. Although, I have been being with You a little long time.

Lord Jesus! Last year, I have losted myself in somewhere place. Frankly speaking, I have not known where I am.

I am so sorry, Lord Jesus, because I am a fallen man, so I have clearly forgotten Your precious love so many times.

Doing many things not touching Your love. Oh! Lord Jesus, I return to You from whole my being.

Lord Jesus! Really need You! Your love is more better that any other things on the earth.

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Sabine

Lagos, Nigeria

Aug 5, 2011

This song reminds me that I am as that woman, sinful and yet He has forgiven me allows me to touch Him. I pray that I would hold nothing back but truely waste my life, my all on Him.

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Rita Amanya

Kampala, Uganda

Oct 27, 2010

This song leads me to touch my spirit. I love You Jesus, I love You. May I waste my all and life on You. Let me pour the ointment pure, on Your head and on Your feet on You PRECIOUS ONE BECAUSE I LOVE YOU. May the Lord daily reveal Himself to us and grant us such an experience like Mary that we will waste ourselves on our precious One.

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Michele Zhang

温州, 浙江, China

May 24, 2010

Oh Lord, let me stand behind You. I just love You! Lord, keep my heart always true to You!

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Nelly Gamayon

Tagbilaran City, Bohol, Philippines

Apr 28, 2010

I enjoy the hymns. They remind me to come closer to the Lord.

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Sis LC

New Zealand

Dec 6, 2009

Verse 3 reminds us that we are sinners that touched the Lord. We are like the woman not worthy to anoint the Lord. But the Lord, knowing who we are, allowed us to touch Him and anoint Him! What a privilege to pour ourselves on Him! Our consecration is not a boast or some kind of extraordinary sacrifice. It is our reasonable reaction to His love toward us. Saints, we are so honored that we can give our all to Him!

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