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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I hear the Savior say

Gospel Redemption

English997
1
I hear the Savior say,
“Thy strength indeed is small,
Child of weakness, watch and pray,
Find in Me thine all in all.”
 
Jesus paid it all,
All to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.
2
Lord, now indeed I find
Thy pow’r, and Thine alone,
Can change the leper’s spots,
And melt the heart of stone.
3
For nothing good have I
Whereby Thy grace to claim—
I’ll wash my garments white
In the blood of Calv’ry’s Lamb.
4
And when, before the throne,
I stand in Him complete,
“Jesus died my soul to save,”
My lips shall still repeat.

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Eke

Nigeria

Sep 6, 2026

Jesus paid it all
His grace is sufficient for me.
I need not fear, my sins are forgiven.

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Clay Sylvester

Waukegan, IL, United States

Jun 21, 2026

Whenever I get under a cloud caused by the accusing liar, the words of this hymn bring me back into the light, to walk in the light, even as He is in the light - Jesus indeed "paid it all" through His own blood, and therefore I do owe all to Him. Nothing in my hands I bring. Blessed assurance and comfort of His most holy Spirit in our spirit, which is the most basic and foundational fact of our "so great a salvation." Thank you, Lord!

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Bill

Mbeya, Tanzania

Oct 12, 2025

Surely all was paid. Jesus to you I am speechless.

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Zachary

Nairobi, Kenya

Aug 14, 2025

God grace is sufficient. He came for the sinners and no one is greater. Such a blessing song.

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Stephen Bellingham

Irvine, CA, United States

Jun 20, 2025

"Jesus paid it all,
All to Him I owe;
Sin had left a crimson stain,
He washed it white as snow."
Thank You Lord Jesus! 🙏🏼

Read more
Daniel Smith

Fairborn, OH, United States

Apr 9, 2025

"For nothing good have I
Whereby Thy grace to claim
...
And when, before the throne,
I stand in Him complete."
What a contrast!

Read more
James Smith

Mansfield, Ohio, United States

Oct 12, 2024

Jesus paid it all. All to Him I owe. There is no forgiveness of sin without the shedding of blood. So God had to become a man to meet God’s righteousness. He became the perfect “lamb of God” Selah! His blood washed us white as snow. Since he paid it all there is nothing we can do to accomplish our redemption. Besides nothing good have I to accomplish it. Now there is nothing we can do except present our bodies a living sacrifice . We don’t have to die. Jesus did it all. We just give our life to Him. This is our reasonable service isn’t it?

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Pierre Segbé Kamano

Conakry, Capitale, Guinea

Apr 21, 2024

Qu'il est merveilleux, ce cantique ! Benis soit le Roi des rois!

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Ana Lara

Storrs, Connecticut, United States

Apr 1, 2024

“I Hear the Savior Say, ” is the title of this hymn, also known as “Jesus Paid it All. ”

“How long Pastor’s prayer is this morning, ” thought Elvina Hall. Sitting in the choir-loft, Elvina’s mind turned to man’s need for salvation, and the price Jesus paid for it. Words began to form themselves. She had to write them down. But she had no paper. She began scribbling on the flyleaf of her hymnbook, she wrote:

I hear the Savior say,
“Thy strength indeed is small;
Child of weakness, watch and pray,
Finding Me thine all in all. ”
Jesus paid it all,
All to Him I owe;
Sin had left a crimson stain,
He washed it white as snow.

After the service, she handed the words to her pastor. He connected her with the church’s organist, John Grape, who had recently shared a new tune he had written. Hall and Grape worked together to finish the hymn, and then, at the pastor’s urging, they sent the hymn to Professor Theodore Perkins, publisher of the Sabath Carols periodical, where it received its first publication. It has been a favorite of many Christians ever since.

Elvina was a church member for 40 years. Perhaps the pastor may have realized that she was writing instead of listening to him that day but what we do know is that an extraordinary “coincidence“ occurred at the Monument Street Methodist Church of Baltimore. Organist John Grape had recently written a new tune, and given it to the pastor. The pastor saw that the tune and the poem fit together extremely well. So he united the two and as a result, a most beloved hymn came into being.

Elvina Hall was 45 years old when she wrote this hymn. Born on June 4, 1820, to Captain David Reynolds. She was married first to Richard Hall. They had three children together that lived to adulthood: Agnes, Asenath and Ella, and two that died as infants: Benoni and Ada. When her husband Richard Hall died, she remarried a Methodist minister, Thomas Myers. She died on July 18, 1899. She was buried in the Green Mount Cemetery in Baltimore.

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Rachel

Nairobi, Nairobi Municipality, Kenya

Mar 23, 2024

Thank you Jesus for your saving grace. Forever grateful that you died for my sins. I am now redeemed and my future assured. Hallelujah.

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