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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The overflow of life is work

Service The Overflow of Life

English910
1
The overflow of life is work,
The work should be our living!
What we experience e’er should be
The message we are giving.
When living and the work are one,
The work will be effectual;
When message and the life are one,
The word will be successful.
2
The work must be the fruit of life,
Born thru the Spirit’s flowing;
As branches of the Lord, the vine,
Fruit bearing, life bestowing.
’Tis Christ Himself thru us to work,
Himself as life expressing,
And all the riches of His life
To others manifesting.
3
’Tis not a movement borne of man,
But by His power moving;
’Tis not the deeds done outwardly,
But inward action proving.
’Tis not the work of enterprise,
But ’tis His life confessing;
’Tis not to toil for our success,
But ’tis Himself expressing.
4
Our plans, our aims, our energy
We must abandon wholly,
That He may work His plan thru us,
His aim and object solely.
Ourselves, with all we are and have,
To death we must surrender,
That Christ may live Himself thru us
With riches and with splendor.

Copyright Living Stream Ministry. Used by permission.

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Jack Petrash

Irving, TX, United States

Jun 12, 2024

The greatest need of men is life. If we live Spirit-filled, Jesusly human lives, obeying the anointing, we as branches abiding in the vine will see much fruit.

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Mary Belle Van Der Noord

Helena, AL, United States

Nov 23, 2022

The service of the church is not a great work or large enterprise with a huge accomplishment, but the ministering and flowing out of Christ.

“When living and the work are one,
The work will be effectual;
When message and the life are one,
The word will be successful. ”

Oh, Lord, You only need us to abide in You, to be filled with You, and to release the supply of Your life to others!

(CWWL, 1950-51, vol. 3, “The Spirit and Service in Spirit, p. 393)

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Peter Macdonald

Wellington, New Zealand

Oct 24, 2021

Our plans, our aims, our energy
We must abandon wholly,
O Lord! I'm so convicted

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Isabel Mendoza

Spartanburg, SC, United States

Apr 30, 2021

Te amamos señor Jesús por. Este tiempo y por tu palabra

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Isabel De 0Campo

Spartanburg, South Carolina Estados Unidos, United States

Dec 8, 2020

Amén alleluia

Te alabamos Señor Jesús oh te amamamos alleluia por el cuerpo

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Jonathan C.Saren

Cagayan De Oro City, Camiguin Province, Philippines

Sep 7, 2017

Hallelujah, the work in the church should be the outflow of life being experienced and enjoyed through His word. Daily, as life we had experienced we can life minister to others by our abiding, joining and giving Him the ground to fill us....Amen.

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Joanna L Smathers

Baton Rouge, LA, United States

Aug 18, 2016

In the midst of all this flood related work may You have a rich flowing out. Live Yourself through us Lord with riches and splendor.

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Olga

Cherelus, Arad County, Romania

Jun 20, 2013

Lord, may Your life fill us day by day so we can co-work with You by the outflow of the life within us.

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Selah PB

Cagayan De Oro City, Misamis Oriental, Philippines

Dec 6, 2012

The Lord Jesus and the Father were not working separately. On the contrary, the Lord was working with the Father as one. Hallelujah!!!!

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Hưng Nguyễn

Cam Ranh, Khnh Ha, Vietnam

Aug 12, 2009

Cng tc đng đắn đ l tun đổ sự sống.

Read more