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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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He is the joy of joys

Experience of Christ As Everything

English8393
1
He is the joy of joys;
My thirst He satisfied.
He is the Song of songs;
We mutually abide.
2
Fairest of all the fair;
He pleases me in full.
Noble of nobles, He
My prize unmatchable.
3
Life of all lives is He;
From death He makes me rise.
Holy of holies, from
The world He sanctifies.
4
Righteous of righteous ones,
In Him I stand each day.
He is the Strength of strengths,
Refreshing on the way.
5
He, as the Pow’r of pow’rs,
Renews with eagles’ wings;
Vict’ry of victories,
O’er all my foes He brings.
6
Able of able ones,
My being He sets free;
He is the Might of mights,
In spirit strength’ning me.
7
He is the King of kings,
Who now reigns in my heart;
He is the Light of lights,
Illum’ning every part.
8
He is the Lord of lords,
He now lives in my heart;
He is the Way of ways,
Who every step does chart.
9
Healing of healings, He
Cures spirit, body, soul;
Wonder of wonders, He;
I’ll share His glory full.
10
Hope of all hopes is He,
Drawing my heart above;
The greatest prize to me,
He guides my steps in love.
11
He is the Love of loves,
Worthy to be adored;
Patience of patience He,
Worthy of praise outpoured.
12
Greatest of all the great,
My adulations raise;
Glory of glories He,
Deserving all my praise.

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Hannah Nhân

United States

Jul 10, 2026

Very encouraging and truly praising Jesus

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Un Hermano

Jan 3, 2026

VI. EMPOWERING AND

STRENGTHENING THOSE WHO WAIT ON HIM

Isaiah 40 presents a marvelous picture of the all-inclusive Christ as Jehovah the Savior. Through His living and abiding word, we have been regenerated. We have been fed by Him to know Him as the Holy One, the eternal God, Jehovah, the Creator of the heavens and the earth. He is unlimited, unsearchable, incomparable, and high. We human beings are as a drop of water and specks of dust. We are nothing and even less than nothing, vanity, emptiness. When we know Christ in this way, we are qualified to wait on Him. We are nothing, and He is everything. Therefore, we do not have any trust in ourselves. We put our trust in Him and wait on Him. He then gives us the eagles’ wings to mount up, so that we can run the course of the Christian life without fainting or becoming weary. This is the very Christ presented to us in Isaiah 40 .

Life-study of Isaiah

Mensaje 44 (LSM)

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John T. C. Kan

Chicago, IL, United States

Jan 26, 2024

The final word of the martyred Watchman Nee was I”I have kept my JOY”. What the joy he had kept are these twenty four faithful items in this hymn. May we all keep this Joy of joys, Christ is our everything!

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Yohan Yosef

Malolos, Bulacan, Philippines

Aug 6, 2018

Lord Jesus, You are the joy of joys.

Remind me Lord of every outward joy. Cause my heart not to be drifted. Cause my heart not to veiled. Cause my heart not to be deceived.

Behind every person, matter or situation, the real joy is just You oh Lord. You are the reality of every need and every virtue. Thank You Lord for this hymn, for reminding me. Fully-Christ-centered.

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Jon

Cheney, WA, United States

Dec 28, 2012

This dear hymn is fully Christ-centered and brings you right into your spirit worshipping and kissing the Son when sung!

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Frank Pytel

Chicago, Illinois, United States

Feb 8, 2012

This One is the First and the Last, and in all things this One holds the first place! He is preeminent!

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