Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

Open this guide as its own page

Download limit reached

Revive Thy work, O Lord

Prayer For Revival

English797
1
Revive Thy work, O Lord!
Now to Thy saints appear!
Oh, speak with power to every soul,
And let Thy people hear!
 
Revive Thy work, O Lord!
While here to Thee we bow;
Descend, O gracious Lord, descend!
Oh, come, and bless us now!
2
Revive Thy work, O Lord!
And every soul inspire;
Oh, kindle in each heart, we pray,
The Pentecostal fire!
3
Revive Thy work, O Lord!
Exalt Thy precious name!
And may Thy love in every heart
Be kindled to a flame!
4
Revive Thy work, O Lord!
And bless to all Thy Word!
And may its pure and sacred truth
In living faith be heard!
5
Revive Thy work, O Lord!
And make Thy servants bold;
Convict of sin and work once more
As in the days of old.
6
Revive Thy work, O Lord!
Give Pentecostal showers!
Be Thine the glory, Thine alone!
The blessing, Lord, be ours!

Delete Comment

Delete this comment? This cannot be undone.

Akugbe Ogboe Vincent

Benin City, Edo State, Nigeria

Sep 17, 2017

God in His awesomeness has in time past revived His works on His children and He is still in the business of revival, it my prayers that God pass me not when reviving impartation comes down

Read more
Obika, Eric Uchenna

Asaba, Delta, Nigeria

Oct 12, 2016

His word brought us thus far albeit, we've lost out in the course of our daily activities on earth hence, the need for God to revive His work on us. At His revival, every man shall be quickened to fulfil his mission on earth and alas, we shall celebrate with Jesus in Heaven.

Read more
Archibong Godfrey G.

Calabar, Cross River State, Nigeria

May 1, 2016

The truth is, the revival is a promise that has been hovering around us for sometime now but men would need pray down this rain. Some persons around the world are already experiencing the mercy drops of revival but the showers that would water 'every one grass in the field' is yet to come. Remember, Elijah did not stop praying on mt. Carmel, until the cloud had appeared.

Let's sing it alone side "let it come oh Lord we pray Thee...", while praying it through.

Read more
Steve Miller

Detroit, MI, United States

Dec 23, 2014

This hymn was actually written by Fanny Crosby based on "Revive Thy Work Dear Lord" #798 by Albert Midlane. Fanny's arrangement and Doane's tune were then applied to Midlane's hymn also, which makes it much more enjoyable.

Read more
Esther

Kampala, Moroto, Uganda

Oct 2, 2014

I love this song. Revive my soul Oh Lord.

Read more
Ernest Opara

Lagos, Nigeria

Apr 3, 2014

O God! When would Thou revive us? My heart yearns for the worship of old when we walked in brokenness with a contrite heart. When sin was unheard of in our midst but love for the brethren. When we yearned for the next fellowship meeting and savoured Your presence. When Your presence filled was not far from us whenever we kneel to pray. When silver and gold, though they matter, never preoccupied us. Revive thy work O Lord and begin from me. Except a kernel of wheat falls to the ground and die, it abides alone. Help me, help me Lord. Yours I am and Yours I will always be. Amen!

Read more
Hepsiba Gifty

Kanya Kumari, Tamil Nadu, India

Dec 1, 2012

Amen Lord.... we are eagerly waiting for the latter rain You promised these last days.

Read more
Tamara De Hart

Oceanside, California, United States

Apr 2, 2010

Our being broken and living before the Lord, His being built within us, and the church being the expression of Christ’s Body cannot be faked. People can sense this immediately when they meet with us. Similarly, the condition of our locality cannot be faked. It is cold or hot, poor or rich, in the flesh or in Christ. As soon as people touch us, they will touch the inward reality. Nothing is as real as spiritual matters; they cannot be faked at all.

Some people are in Christ, allowing Him to rule in them and to overflow out of them. They are persons who are broken, restricted, and ruled by the Holy Spirit. When we come into their midst, we are released and freed, regardless of how heavy a burden or how difficult a situation may be pressing upon us. As soon as we enter into a meeting with them, our entire being is released and freed. This is because there is freedom in the fullness of Christ. If the Son of God sets us free, we are free indeed. Of His fullness we have all received, and grace upon grace. If we live in Him and allow His fullness to be expressed, there will be something in us that sets others free.

Church as the Body of Christ, The, Chapter 11, Section 3

May the Lord have mercy on us, revive us, and make us persons who live not by ourselves but by another life which is the processed and consummated Triune God as the life-giving Spirit.

Read more