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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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In the Name of Jesus

Praise of the Lord His Name

English76
1
In the Name of Jesus
Every knee shall bow,
Every tongue confess Him
King of glory now;
’Tis the Father’s pleasure
We should call Him Lord,
Who from the beginning
Was the Mighty Word.
2
At His voice creation
Sprang at once to sight:
All the angel faces,
All the hosts of light,
Thrones and dominations,
Stars upon their way,
All the heav’nly orders,
In their great array.
3
Humbled for a season,
To receive a Name
From the lips of sinners
Unto whom He came,
Faithfully He bore it
Spotless to the last,
Brought it back victorious,
When from death He passed;
4
Bore it up triumphant,
With its human light,
Through all ranks of creatures,
To the central height;
To the throne of Godhead,
To the Father’s breast,
Filled it with the glory
Of that perfect rest.
5
Name Him, brothers, name Him,
With love strong as death,
But with awe and wonder,
And with bated breath;
He is God the Savior,
He is Christ the Lord,
Ever to be worshiped,
Trusted, and adored.
6
In your hearts enthrone Him;
There let Him subdue
All that is not holy,
All that is not true;
Crown Him as your Captain
In temptation’s hour;
Let His will enfold you
In its light and power.
7
Brothers, this Lord Jesus
Shall return again,
With His Father’s glory,
With His angel train;
For all wreaths of empire
Meet upon His brow,
And our hearts confess Him
King of glory now.

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Vc

Tampa, Fl, United States

Aug 2, 2026

❤️At His voice creation
Sprang at once to sight:
All the angel faces,
All the hosts of light,
Thrones and dominations,
Stars upon their way,
All the heav’nly orders,
In their great array. ❤️

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Un Hermano

Aug 28, 2025

The Lord of Judgment

In Revelation the Lord does not come to be the Lord of redemption or to be the Lord of salvation but to be the Lord of judgment. If one does not meet Him as the Lord of redemption in the four Gospels or as the Lord of salvation in Acts and the Epistles, he will meet Him as the Lord of judgment in Revelation. Revelation 1:7 says, “Behold, He comes with the clouds, and every eye will see Him. ” Whether a person is a believer, a Gentile, or a Jew, he will meet the Lord. No one can escape the Lord of judgment. Every knee shall bow to Him, and every tongue shall openly confess to God ( Rom. 14:11 ).

A Study of the New Testament
in the Light of Christ as Life
Chapter 41 Section 4
CWWL, 1955, vol. 1 (LSM)

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Un Hermano

Aug 28, 2025

A NAME ABOVE ALL NAMES

In the Lord’s ascension and exaltation to the highest, He was given a name that is above all names, a name to which every knee shall bow and every tongue shall confess. The name is Jesus. Some may argue that the name Jesus was given to Him at the time of His birth. Why was He given the same name at His ascension, the name to which every knee should bow and every tongue should confess? Again, the name given to Him at His birth was not so official. At His ascension the name Jesus was made more official. Before His ascension, officially speaking, “Jesus” was not a name that was above all names. It was by His ascension that God declared to the whole universe that the name of Jesus is above all names: “Therefore also God highly exalted Him and bestowed on Him the name which is above every name, that in the name of Jesus every knee should bow, of those who are in heaven and on earth and under the earth, and every tongue should openly confess that Jesus Christ is Lord to the glory of God the Father” ( Phil. 2:9-11 ). This is a kind of declaration, announcement, and proclamation to the whole universe. All the universe has to know that God has officially made the name Jesus above all names.

The Wonderful Christ
in the Canon of the New Testament
CWWL, 1973–1974, vol. 2
Chapter 9 Section 1

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Donna Reid

Vernon, B.C., Canada

Dec 6, 2023

Wonderful to revisit this hymn and have all the verses. Thank you. PTL.

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Stephen Monument

Westcliff-on-Sea, Essex, United Kingdom

Mar 8, 2020

A powerful stirring and challenging hymn which inspires faith and reliance on Jesus as well as the hope of His return

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Grace

Temple City, California, United States

Nov 3, 2019

Every tongue shall confess!

Amen

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Steve Miller

Detroit, MI, United States

Oct 1, 2013

As a young woman, Caroline Noel tried to write poems, but she gave it up by the age of 20. Then when she was bedridden with a serious illness at 40, she took up her pen once again. Eventually her poetry was published in a little book called "At the Name of Jesus, and Other Verses for the Sick and Lonely."

You might think the tone of her work would be comforting and devotional, but this hymn is more theological in nature. It focuses attention on Jesus and His power, rather than on sickness and loneliness. Actually, the poem is a beautiful paraphrase of Philippians 2:4-11, an early-church hymn that shows Jesus humbling Himself on earth and being glorified in heaven. - Great Songs of Faith by Brown & Norton

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Thanks for including the whole hymn. Many hymnals shorten it to 4 stanzas.

The original 1st stanza of this hymn starts with "At" instead of "In".

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