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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The days may yet grow darker

Comfort in Trials By Closer Fellowship with the Lord

English710
1
The days may yet grow darker,
The nights more weary grow,
And Jesus may still tarry,
But this one thing I know:
The Lord will still grow dearer,
And fellowship will be
The closer and the sweeter
Between my Lord and me.
2
’Tis our dear Lord we wait for,
Our Hope! our Joy! our Friend!
Himself we long to welcome,
And just beyond the bend
Hidden, perchance to meet us
Before the day is done,
The waiting will be over
And rest will have begun.

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Lakay Page McCree

Bellflower, CA, United States

Jan 14, 2024

But this one thing I know, the Lord will still grow dearer, and fellowship will be. Father we thank You, that if we but turn to our spirit to contact You, the closer and the sweeter my Lord and me will be and all other ground is sinking sand. Thank you Lord that you are a very present help in our time of need. How we need to exercise our spirit to contact Thee!

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Cielito Sio

Paranaque City, Metron Manila, Philippines

Jul 31, 2023

"The Lord will still grow dearer..."

no matter how dark the days get, no matter how difficult the times become, our Lord Jesus will still grow dearer!

Lord Jesus, cause us not to lose heart, not to be discouraged, but instead be the more intimate with You, "before the day is done."

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Chris

Mesquite, TX, United States

Jul 22, 2023

Tears, tears, tears while hear and sing this hymn. Lord Jesus, looking away at You. Repenting, not trust in me, but in You.

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Anitha Nokku

Santa Ana, California, United States

May 2, 2021

The Lord will still grow dearer,

Our Hope! our Joy! our Friend!

Thank you Lord for being our eternal rest and peace. In you we find everything. We long for your coming.

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Anonymous

May 27, 2020

You are honey
You are the dew from the dawn
Thank you there is no one like you

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Leigh Powell

United Kingdom

Apr 26, 2018

This hymn is in part of the second coming to Earth of the Lord Jesus Christ, in power and great glory, on a date known only to the Heavenly a father. When He steps on Earth, on the mount of Olives, He will bring in a new heaven and a new earth wherein dwells righteousness (Isaiah chapter 66, I think..... it may be chapter 64. Till then sin is around, but where sin abounds, grace does much more abound (Romans chapter 6).

Sin was conquered on the cross by the Lord Jesus, the Son of the love of the Father, who took our sins in His body on the tree, the just for the unjust. To prove sin was, and is, conquered, the Lord Jesus rose from the dead on the third day. If we repent of our sin, and believe that Jesus took our sins in His body on the cross, died, and rose again, then we shall be born again and have everlasting life, with the Holy Spirit dwelling inside us (Romans 5).

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Hany Alfy

Cairo, Egypt

Apr 21, 2017

Wow! Wow! Wow!

I love this hymn.....

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Kara

Baltimore, MD

Oct 21, 2013

Wow! What are wonderful reminder of the beauty to be found in trial! Through hardship our gold may be refined and our relationship with Christ deepened. That which the devil intends to use to frustrate or discourage us becomes the very means by which God draws us more closely to Himself and prepares us for an eternal life with Him. Thank You Jesus for Your presence that never leaves nor forsakes and Your promise to work all things for our good!

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Rosita Enriquez

Anaheim, CA, United States

Sep 24, 2011

It is true dear saints, when we go through trials, as sister M.E. Barber put it;

"But this one thing I know:

The Lord will still grow dearer,
And fellowship will be
The closer and the sweeter
Between my Lord and me."

Our brother Watchman Nee said that hundreds and thousands of conversations between The Lord and you will happen when we go through a way that we do not know. O The Lord will become sweeter through these.

1 Peter 5:5b to 12 is wonderful for times of trials.

The footnote 2 of 5:12, of the Recovery version, says:

"That they may pass through those sufferings, God supplies them with all the multiplied, varied, and true grace (v.10, 1:2; 4:10), which is sufficient to enable them to participate in the sufferings of and for Christ....)"

We do not know when we will meet Him, but as our sister encouraged us, perchance (possibly), He will be there hidden just beyond the bend or at the turn, the curve. Let's enter INTO this Grace.

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