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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

from Down His glory

Lord His the Praise of Incarnation

English82
1
living was Jesus agony. His God tears from in a sorrows, Man manger,
To own and Savior His story,
My His and glory,
Ever name.
Born of a came,
And Down stranger,
A
 
adore I became all love my in Creator Savior,
And all dwelleth breath, Him. in great fulness O sunshine, Him! How I Him!
My God’s how my my all!
The
2
gracious, win, to one hope in aside the redemption;
That to condescension,
Bringing us to in His woo, night,
Not splendor,
Stooping sight,
God, What dead save my of faint tender,
Laid soul.
3
plan.
O reluctance,
Flesh now Without His AM.” great glorious blood know took of art Thou man,
Revealed I Calv’ry,
And the and form substance
He the of “I hidden the myst’ry,
Sacrifice

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