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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Guide me, O Thou gracious Savior

Longings For Christ’s Leading

English391
1
Guide me, O Thou gracious Savior,
Pilgrim through this barren land;
I am weak, but Thou art mighty,
Hold me with Thy pow’rful hand;
Bread of heaven,
Feed me till I want no more;
Bread of heaven,
Feed me till I want no more.
2
Open now the crystal fountain,
Whence the healing waters flow;
Let the fiery, cloudy pillar
Lead me all my journey through;
Strong Deliv’rer,
Be Thou still my strength and shield;
Strong Deliv’rer,
Be Thou still my strength and shield.

The author, William Williams preached and sang throughout Wales. "He sang Wales into Piety". He was the poet laureate of the Welsch revival. Soon all Wales was singing their way to the coal mines and soccer matches. And their favorite hymn was this marching song by one of their own. ("Great Songs of Faith" by Brown & Norton)

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Ana Lara

Storrs, Connecticut, United States

May 16, 2022

During the 1700s, the ideas from the Enlightenment and rationalism were taking root across Europe and Britain and spilling into the American colonies. Part of the resulting consequences was the decline of religious commitment. Thankfully, just about the same time, a number of zealous and passionate preachers appeared on the scene and brought about what is known as the Great Awakening. Men such as George Whitefield, the Wesley brothers, and Jonathan Edwards helped to rekindle a renewal and commitment to a personal relationship with God and to the Church. As these events were taking place, a young man in Wales, heard a sermon preached in a church cemetery. The message had such an impact on him that he turned from pursuing medicine to becoming an itinerant preacher himself. During the next 40 years plus, William Williams traveled on horseback around different parts of the country preaching and singing his way to great crowds across the land. Along with the great English hymn writers, Williams composed about 800 hymns, the best one remember, “Guide me O Thou Great Jehovah.” The song compares our Christian life and walk to the wanderings of the children of Israel. It became a favorite in Wales even being considered as something of an unofficial national anthem. During World War I, Welch soldiers in the trenches would at times sing the hymn and opposing German soldiers would on occasion pick up the singing as well. The hymn was sung at Queen Elizabeth’s Diamonds Jubilee Celebration, Princess Diana‘s funeral, and the wedding of Prince William to Katherine Middleton.

As President James Garfield lay dying, his wife also comforted him as she sang the words to him.

(by Louis E. Codington)

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Ramsay Mcghee

Fortrose, Ross-shire, United Kingdom

Jan 26, 2013

Better sung to the Welsh tune Cwn Rhondda.

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Steve Miller

Detroit, MI, United States

Jan 13, 2013

Per "Great Songs of Faith" by Brown & Norton - The author, William Williams preached and sang throughout Wales. "He sang Wales into Piety". He was the poet laureate of the Welsch revival. Soon all Wales was singing their way to the coal mines and soccer matches. And their favorite hymn was this marching song by one of their own.

The original has 5 verses and a different tune.

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Johnson F. Ajayi

United Kingdom

Dec 4, 2012

Thank you Sam Anumihe. This site is great - even allowing me to build my personal album BUT, quite a few lines have been altered from their classical settings! Still great work but some are not used to what we know!

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Sam Anumihe

Oberhausen, NRW, Germany

Jun 15, 2011

This is a bit different from the classical lines we were taught, can someone sing it for me?

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Pastor Tunde OLU-ALABI

London, Essex, United Kingdom

May 2, 2011

It is soul inspiring and searching hymn.

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