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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Sun of my soul, Thou Savior dear

Longings For Fellowship with Christ

English374
1
Sun of my soul, Thou Savior dear,
It is not night if Thou be near;
Oh, may no earthborn cloud arise
To hide Thee from Thy servant’s eyes.
2
When the soft dews of kindly sleep
My wearied eyelids gently steep,
Be my last thought how sweet to rest
Forever on my Savior’s breast.
3
Abide with me from morn till eve,
For without Thee I cannot live;
Abide with me when night is nigh,
For without Thee I dare not die.
4
Come near, and bless us when we wake,
Ere through the world our way we take;
Till in the ocean of Thy love
We lose ourselves in Thee above.

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Maureen Neven

Tujunga, CA, United States

Nov 8, 2018

Thanks to Steve Miller for his knowledge of John Keble's life and ministry. I just became acquainted with Keble's hymn, Sun of My Soul, and am encouraged to sing this as a prayer on a regular basis. The story behind the hymn, and the extra mostly unknown verses, truly add to the hymn's beauty and grace.

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Steve Miller

Detroit, Michigan, United States

Jan 17, 2017

John Keble was born in the tiny village of Fairford, Gloucestershire, Scotland. Keble was the son of a pious and humble country vicar and a Godly mother. His father contributed much to his education before he won a scholarship to Oxford at the age of 15. Within 3 years of his entry at Oxford, John Keble had won 2 first prizes, one for Latin and the other for his "Essay" in English. With the exception of Sir Robert Peel, he was the only man ever to have done so up to that time.

Keble remained at Oxford as a professor until the death of his mother, when he went to be his father's curate at Coln St. Aldwyn, near Fairford, where he was born. It was here in peaceful surroundings of gentle rolling hills of green that Keble was inspired to write much of his best poetry.

As he took his walks in the early morning or evening, his mind seemed to be washed of all the cares of the world, and his soul was alone with his God and his Savior. In the course of time the young curate found that he had a poem for every day of the year, and his 'Christian Year' was the result. The 'Christian Year' went through 8 editions during the author's lifetime, and it was at one time the most frequently read book of poems in the English language. The morning hymn "New every Morning", containing the oft quoted lines: "Help us this day, to live more nearly as we pray", are from a longer poem first published in the 'Christian Year'. The most popular of his hymns, "Sun of My Soul", was first published in the same volume. The hymn was written November 25, 1820, and originally it had 14 verses. On Keble's memorial in Westminster Abbey are the words: "In returning and rest shall ye be saved; in quietness and in confidence shall be your strength" (Isa. 30:15). These words of scripture Keble inscribed on the title page of his 'Christian Year'.

Upon one occasion the poet, Tennyson, was entertaining a friend in his garden. His friend had asked him what he thought of Christ, and the poet was silent for a time; then leaning over a flower, he said, "What the sun is to that flower, Jesus Christ is to my soul. He is the Sun of my Soul." And so whether the expression was original with Keble or whether he borrowed it from Tennyson, it matters not. As we bow our hearts and sing the hymn, we seem strangely warmed by the Sun of Righteousness. - 'More Living Hymn Stories' by Wilbur Konkel

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Here are the rest of the 14 verses in Keble's original poem:
1 'Tis gone, that bright and orbèd blaze,
Fast fading from our wistful gaze;
Yon mantling cloud has hid from sight
The last faint pulse of quivering light.
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2 In darkness and in weariness
The traveler on his way must press;
No gleam to watch on tree or tower,
Whiling away the lonesome hour.
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3. hymnal.net #1

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4. When round thy wondrous works below
My searching, rapturous glance I throw,
Tracing out wisdom, power, and love,
In earth or sky, in stream or grove;
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5 Or by the light Thy words disclose
Watch Time's full river as it flows.
Scanning Thy gracious providence,
Where not too deep for mortal sense:
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6 When with dear friends sweet talk I hold
And all the flowers of life unfold,
Let not my heart within me burn,
Except in all I Thee discern.
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7-8 hymnal.net #2 & 3
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9 Thou Framer of the light and dark,
Steer through the tempest Thine own ark:
Amid the howling wintry sea
We are in port if we have Thee.
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10 The rulers of this Christian land,
'Twixt Thee and us ordained to stand,
Guide Thou their course, O Lord, aright;
Let all do all as in Thy sight.
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11 Oh, by Thine own sad burden, borne
So meekly up the hill of scorn,
Teach Thou Thy priests their daily cross
To bear as Thine nor count it loss!
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12-13 given by me below on Sep 25, 2013
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14 hymnal.net #4

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William Jeng

Irvine, CA, United States

Dec 23, 2015

Lord Jesus, abide with me from morning til evening each day, for without You I cannot live. Remind me to eat and behold Your face every morning as the Bread of the Presence. This is my prayer Lord!

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Carol

Clinton, MA, United States

Mar 30, 2014

What a beautiful hymn. This is my prayer today.

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Steve Miller

Detroit, MI, United States

Sep 25, 2013

The prophet Malachi called the Messiah the Sun of Righteousness, who would rise with healing in His wings. So John Keble was using a familiar title for Jesus when he wrote this poem. Keble first published "Sun of my Soul" in a book called "The Christian Year", which included poems to be used by believers for worship throughout the church year. An extremely modest man, Keble published this book anonymously. He used the proceeds from the sale of his book to maintain the small village church near Oxford in which he served for more than 3 decades.

Throughout his ministry, Keble was known as an outstanding preacher and a careful Bible scholar. He wrote over 700 hymns. In 1869 Keble College was founded at Oxford University as a tribute to him. - Great Songs of Faith by Brown & Norton

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There are 2 additional touching stanzas which come before the last stanza above:

If some poor wandering child of Thine
has spurned today the voice divine,
now, Lord, the gracious work begin;
let him no more lie down in sin.
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Watch by the sick, enrich the poor
with blessings from thy boundless store;
be every mourner's sleep tonight,
like infants' slumbers, pure and light.

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