Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

A mind at perfect peace with God

Assurance and Joy of Salvation Reconciled to God

English299
1
A mind at perfect peace with God;
O what a word is this!
A sinner reconciled through blood;
This, this indeed is peace.
2
By nature and by practice far,
How very far from God;
Yet now by grace brought nigh to Him,
Through faith in Jesus’ blood.
3
So nigh, so very nigh to God,
I cannot nearer be;
For in the person of His Son
I am as near as He.
4
So dear, so very dear to God,
More dear I cannot be;
The love wherewith He loves the Son,
Such is His love to me.
5
Why should I ever anxious be,
Since such a God is mine?
He watches o’er me night and day,
And tells me “Mine is thine.”

Delete Comment

Delete this comment? This cannot be undone.

Anonymous

Quinlan, Texas, United States

Jul 27, 2016

Thank You God for You are our Peace, and rest. You are now reachable, touchable and so available to us thru Your son's death and ressurection. You are a Wonderful God!

Read more
Bob Dorotich

Richmond, VA, United States

Feb 15, 2016

When we sang this today I did not think or believe the writer was correct in his thinking that God loves us in the same measure as His Son. Then the Holy Spirit of God "hit" me with a remembrance of our Lord's Prayer in John 17......."That Thou lovest them with the SAME loves as Thou lovest Me." I was blessedly silenced

Read more
Jean Patience

Likasi, Katanga, Democratic Republic Of Congo

Jan 24, 2012

How wonderful is this! "Why should I ever anxious be, since such a God is mine?" I love You, O Jesus!

Read more
Tim Dennison

Portland, Maine, United States

Aug 1, 2010

Being around so much worldliness turns my heart to matters enjoyed by the world that don't reflect God's light. I feel impressed to confess I live with guilt that makes me teeter tauter on the fence of life between sanity and insanity. My flesh is easy to feed but my soul takes a determined purposeful effort. I become slack in following my Savior, but my sometimes backsliding is followed by Him ALLWAYS letting me enter back into His presence, peace and rest. God clears my mind from sin and clutter like nothing else is able to. I feel this desolate separation from God, He convicts me of my sin, and I boldly (even though trembling, scared, weak and undeserving is simultaneously running through my feelings) approach Him knowing that even though my heart is condemning me God is greater than my heart.....I think this song is auto replay with much satisfaction and gratitude I express my sincere thanks for those of you who made it possible to have such amazing hymn music free of charge. It has truly fed my soul deep encouragement...you are blessed; thank you for passing it on...

Read more
Paul Ten

Birmingham, United Kingdom

May 8, 2010

A perfect peace of mind with God is a story of the journey of struggle between the unfaithful mind and the faithful God.

No one like to be put in a situation of uncertainty or restriction that he/she dislikes. Yet this very God who embodied in Christ come to us a a faithful one in supplying the very life that we needed so much, even in an impossible situation. It is this impossible situation that make this struggle happens and wrestle as we might, for Him, the goal is the same as the beginning and the end, i.e. impart Himself into us as the very peace within. Oh, what a life, what a peace. His Body is filled with this very peace and whoever come to have fellowship with this very Body will be at peace with God through this flow of life.

Read more
Jeramil Redoble

Central Mindanao University, Philippines

Jan 26, 2006

I like this song and love to listen this because it can remind that we need to pursue and enjoy Christ as our life.

Read more
mar_njreceiver

Iligan City, Philippines

Jan 15, 2006

I love this song, amen hallelujah.

Read more