Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

All steps
  1. The numbers are the notes of a scale
  2. “1=C” tells you where to start
  3. Dots make a note higher or lower
  4. How long each note lasts
  5. 0 means rest
  6. Bar lines and the time signature
  7. Curves: ties and slurs
  8. The words sit under the numbers
  9. Repeat signs and 1. 2. endings
  10. Minor keys: “6=A”
  11. Put it together: a line of a hymn
  12. Check yourself
  13. Try it on a hymn

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

On His Father’s throne is seated

Praise of the Lord His Glory

English143
1
On His Father’s throne is seated
Christ the Lord, the living One!
All His toil on earth completed,
All His work for sinners done.
In the glory, in the glory,
See Him—God’s eternal Son!
2
Every knee shall bow before Him,
Every tongue confess His name,
Ransomed myriads shall adore Him,
Who endured the sinner’s shame!
From the glory, from the glory,
God doth now His worth proclaim.
3
Man, the cross to Him awarded;
Man, the Savior crucified;
This world’s judgment stands recorded.
God’s own justice satisfied!
By the glory, by the glory,
Christ was claimed on earth who died.
4
Son of Man, His incarnation
Opened first the tale of grace;
Son of Man, in new creation
Leader of a chosen race!
Well may glory, well may glory,
Give to Him the honored place!

Delete Comment

Delete this comment? This cannot be undone.
Un Hermano

Nov 11, 2025

As the One Who Will Dine with the Overcomers and Give the Overcomers to Sit with Him on His Throne as He Overcame and Sat with His Father on His Throne

Revelation 3:20-21 says, “Behold, I stand at the door and knock; if anyone hears My voice and opens the door, then I will come in to him and dine with him and he with Me. He who overcomes, to him I will give to sit with Me on My throne, as I also overcame and sat with My Father on His throne. ” Christ is the One who will dine with the overcomers and give the overcomers to sit with Him on His throne as He overcame and sat with His Father on His throne. Here to overcome is to overcome the lukewarmness and pride of the degraded recovered church, to pay the price to buy the needed items (gold, white garments, and eyesalve), and to open the door so that the Lord can come in and dine with those who open the door.

This door is not the door of the hearts of individuals but the door of the church. The Lord as the Head of the church is standing outside the degraded church, knocking at her door. The degraded recovered church must realize this. The door is the door of the church, but the door is opened by individual believers. The church in Laodicea has knowledge but does not have the Lord’s presence. The Lord is dealing with the whole church, but the acceptance of the Lord’s dealing must be a personal matter. The Lord’s dealing is objective, but the believers’ acceptance must be subjective.

We often shut the door on the Lord, leaving Him outside the door. Our condition may be like that of the church in Laodicea. Although we love the Lord and consistently pray and attend the meetings, we may not be willing to practically pay a price, and in the end we become lukewarm. The Lord has no ground in us and has been shut outside the door by us, the lukewarm Laodiceans. Even though He is in our spirit, we often shut Him outside the door. For instance, we shut Him outside the door of our emotion. Our spirit is like a prison in which we keep the Lord. Therefore, the Lord has no way to enter into our inner chambers and into our heart. The Lord is standing and knocking in our cold spirit, longing to enter into our heart and our emotion. The Lord desires to have mutual enjoyment with us.

The Conclusion of the New Testament:

Experiencing, Enjoying, and Expressing Christ,

Message 414 (LSM)

Read more
Un Hermano

Nov 11, 2025

VI. THE LORD’S PROMISE TO THE OVERCOMER

In verses 20 and 21 we see the Lord’s promise to the overcomer: “Behold, I stand at the door and knock; if anyone hears My voice and opens the door, then I will come in to him and dine with him and he with Me. He who overcomes, to him I will give to sit with Me on My throne, as I also overcame and sat with My Father on His throne. ” To overcome in these seven epistles does not mean to overcome our weaknesses and besetting sins; it means to overcome the fallen condition of the deviant churches. To overcome in the epistle to Laodicea means to overcome the lukewarmness and pride of the degraded recovered church, to pay the price to buy the needed items, and to open the door so that the Lord can come in.

C. To Sit with the Lord on His Throne

In Revelation 3:21 the Lord said, “He who overcomes, to him I will give to sit with Me on My throne, as I also overcame and sat with My Father on His throne. ” To sit with the Lord on His throne will be a prize to the overcomer, that he may participate in the Lord’s authority in the coming millennial kingdom. This means that the overcomers will be co-kings with Christ ruling over the whole earth. Once again I say that, strictly speaking, all the promises in these seven epistles concern the coming kingdom. Any negative word regarding loss or suffering refers to a loss during the coming kingdom, and any positive word regarding gain or enjoyment refers to the enjoyment of Christ as our special portion during the age of the kingdom. We must have the insight to understand these promises in a proper way. Nevertheless, in principle, these promises may also be applied today, and we may pre-taste them now. There is no need to wait until we enter into the kingdom age to enjoy all these special portions. Today in the church life we are privileged to enjoy the kingdom. Praise the Lord for the church life!

Life-study of Revelation

Message Chapter 16 (LSM)

Read more